Album Details
Title: Here in the Real World Artist: Alan Jackson Release Date: 1989 Re-Released On: 1/21/2002 Label: Arista, BMG Special Products Duration: 29:50 Album Type(s): lyrics/libretto UPCs: 078221862325, 755174580123, 755174653728, 078221862318, 4007192608171 Genre: Country Styles: Contemporary Country, New Traditionalist, Neo-Traditionalist Country Moods: Amiable/Good-Natured, Confident, Earthy, Gritty, Plaintive, Earnest, Reflective, Sentimental, Bittersweet, Rollicking, Energetic, Fun, Poignant, Rambunctious, Rousing, Yearning Total Copies: 22 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Ace of Hearts
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Here in the Real World
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Blue Blooded Woman
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Wanted
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Chasin' That Neon Rainbow
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She Don't Get the Blues
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I'd Love You All Over Again
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Dog River Blues
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Home
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Short Sweet Ride
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | BMG Special Products | 46537 | | 2001 | CD | BMG Special Products | 45801 | | 1990 | CD | Arista | ARCD-8623 |
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Other Editions
- No other editions were found for this album.
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Album Review
In 1989, country music honky tonk revivalist Alan Jackson scored his first number one hit with "I'd Love You All Over Again" -- not bad for being only his fifth single. Interestingly enough, it was a ballad, but a hard country ballad nonetheless. The songs sits somewhere in the no man's land between George Jones and Randy Travis, and floats uneasily seeking an edge. The title track is another hard country ballad, and with its sweet lonesome fiddle it was a more logical choice, but what the hell. The bottom line is that while Here in the Real World may not be Jackson's strongest record, it still stands head and shoulders over most of the competition, and that includes Curtain Shirt Brooks, that is, Garth. Producers Keith Stegall and Scott Hendricks understood that Jackson's country sensibilities are a boon, not a bane, in terms of putting his particular brand of new traditionalism onto the charts. Other winners are the honky tonkers such as "Blue Blooded Woman," "Chasin' That Neon Rainbow," and "She Don't Get the Blues," which feels as much like Merle Haggard doing Bob Wills as it does new country. This is a solid effort and established the fact that Jackson was just beginning to come into his own. ~ Thom Jurek, All Music Guide
Credits
| Name | Credits | | Alan Jackson | Vocal Harmony, Vocals | | Brent Mason | Guitar (Electric) | | Bruce Watkins | Guitar, Guitar (Acoustic) | | Carry Summers | Assistant Engineer | | Chris Hammond | Engineer | | Dave Pomeroy | Bass | | Dennis Henson | Vocal Harmony, Vocals (Background) | | Eddie Bayers | Drums | | Gary Paczosa | Assistant Engineer, Engineer | | Greg Parker | Assistant Engineer | | Hank Williams | Mastering | | Hargus "Pig" Robbins | Piano | | Harold Bradley | Bass, 6-String Bass | | J.B. | Engineer | | Jeff Giedt | Assistant Engineer | | Jimmy Capps | Guitar (Acoustic), Guitar | | Keith Stegall | Vocal Harmony, Producer, Vocals (Background) | | Larry Paxton | Bass | | Maude Gilman | Art Direction | | Paul Franklin | Guitar (Steel) | | Rob Hajacos | Fiddle, Violin | | Roy M. "Junior" Husky | Bass | | Scott Hendricks | Engineer, Mixing, Producer | | Steve Bishir | Assistant Engineer | | Steve Gibson | Guitar (Electric) | | Wayne Williams | Photography | | Weldon Myrick | Guitar (Steel) |
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