Album Details
Title: True Blue Artist: Madonna Release Date: 1986 Re-Released On: 12/15/2007 Label: Sire, WEA Duration: 39:47 Album Type(s): lyrics/libretto UPCs: 075992544221, 4943674060399, 075992544245, 093624790266, 494367406039 Genre: Rock Styles: Dance-Pop, Adult Contemporary, Contemporary Pop/Rock, Club/Dance Moods: Carefree, Elegant, Energetic, Provocative, Reflective, Sensual, Sexy, Stylish, Brash, Confident, Ethereal, Exuberant, Freewheeling, Fun, Happy, Intimate, Irreverent, Party/Celebratory, Playful, Poignant, Self-Conscious, Sophisticated, Theatrical, Wistful, Ambitious, Clinical, Dramatic, Spiritual, Campy, Joyous, Outrageous, Sexual, Cheerful, Difficult, Earnest, Literate, Amiable/Good-Natured, Bittersweet, Bright, Complex, Lively, Rousing, Whimsical, Witty, Detached Total Copies: 15 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Papa Don't Preach
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Open Your Heart
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White Heat
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Live to Tell
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Where's the Party
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True Blue
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La Isla Bonita
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Jimmy, Jimmy
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Love Makes the World Go Round
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | WEA | 75121 | | 1986 | CD | Sire | 2-25442 |
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Album Review
True Blue is the album where Madonna truly became Madonna the Superstar -- the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews -- and make good music while she's at it. To complain that True Blue is calculated is to not get Madonna -- that's a large part of what she does, and she is exceptional at it, but she also makes fine music. What's brilliant about True Blue is that she does both here, using the music to hook in critics just as she's baiting a mass audience with such masterstrokes as "Papa Don't Preach," where she defiantly states she's keeping her baby. It's easy to position anti-abortionism as feminism, but what's tricky is to transcend your status as a dance-pop diva by consciously recalling classic girl-group pop ("True Blue," "Jimmy Jimmy") to snag the critics, while deepening the dance grooves ("Open Your Heart," "Where's the Party"), touching on latin rhythms ("La Isla Bonita"), making a plea for world peace ("Love Makes the World Go Round"), and delivering a tremendous ballad that rewrites the rules of adult contemporary crossover ("Live to Tell"). It's even harder to have the entire album play as an organic, cohesive work. Certainly, there's some calculation behind the entire thing, but what matters is the end result, one of the great dance-pop albums, a record that demonstrates Madonna's true skills as a songwriter, record-maker, provocateur, and entertainer through its wide reach, accomplishment, and sheer sense of fun. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bill Meyers | Strings | | Billy Meyers | String Arrangements | | Bruce Gaitsch | Guitar, Guitar (Rhythm), Guitar (Electric) | | Dan Nebenzal | Mixing Assistant, Mixing | | Dann Huff | Guitar | | Dave Boroff | Saxophone | | David Williams | Vocals (Background), Guitar (Rhythm), Guitar | | Edie Lehmann | Vocals (Background) | | Fred Zarr | Keyboards | | Herb Ritts | Photography | | Jackie Jackson | Vocals (Background) | | Jeffrey Kent Ayeroff | Art Direction | | Jeri McManus | Design, Art Direction | | John Putnam | Guitar (Electric), Guitar (Acoustic), Guitar | | Jonathan Moffett | Vocals (Background), Drums, Percussion | | Keithen Carter | Vocals (Background) | | Madonna | Producer, Vocals (Background), Composer, Vocals | | Michael Hutchinson | Engineer | | Michael Verdick | Engineer, Mixing | | Pat Leonard | Keyboards, Producer, Drum Programming | | Patrick Leonard | Producer, Drums, Composer, Programming, Keyboards, Drum Programming | | Paul Jackson, Jr. | Guitar | | Paulinho Da Costa | Percussion | | Richard Marx | Vocals (Background) | | Siedah Garrett | Vocals (Background) | | Stephen Bray | Composer, Programming, Producer, Drums, Keyboards, Drum Programming |
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