Album Details
Title: Kite Artist: Kirsty MacColl Release Date: 1989 Re-Released On: 1/11/1994 Label: Capitol Records Duration: 48:24 Album Type(s): lyrics/libretto UPCs: 075679123213, 075679123244, 075679132321, 075679132345, 077778702726 Genre: Rock Styles: Psychedelic, Folk-Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, College Rock Moods: Amiable/Good-Natured, Playful, Wistful, Wry, Energetic, Exuberant, Freewheeling, Fun, Gentle, Intimate, Lush, Poignant, Precious, Quirky, Reflective, Stylish, Summery, Sweet, Witty, Yearning Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Innocence
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Free World
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Mother's Ruin
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Days
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No Victims
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Fifteen Minutes
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Don't Come the Cowboy With Me Sonny Jim!
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Tread Lightly
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What Do Pretty Girls Do?
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Dancing in Limbo
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The End of a Perfect Day
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You and Me Baby
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You Just Haven't Earned It Yet, Baby
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La Forêt de Mímosas
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Complainte Pour Ste Catherine
Additional Releases
| Year | Type | Label | Catalog # | | 1994 | CD | Capitol Records | 27895 |
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Album Review
Only Kirsty MacColl's second solo album in the tenth year of her career (she took several years off to have children after marrying producer Steve Lillywhite), 1989's Kite is the pinnacle of her achievement. By far her best-sustained work, this lengthy 15-track album features some of the singer/songwriter's best work on both sides of the hyphen. Her always-terrific vocals -- MacColl was quite likely the best female singer of her generation -- are overdubbed several times on most tracks to create thick, lush harmonies, most notably on the gorgeous cover of The Kinks' "Days." Her songwriting is excellent as well, with some of her sharpest and cleverest words and most memorable melodies found here. The piercing "Innocence" and "Free World" are two of MacColl's most combative songs, while "What Do Pretty Girls Do?" and "Fifteen Minutes," for all their tart lines, are MacColl at her most sympathetic. Besides the excellent originals, another pair of terrific covers -- The Smiths' "You Just Haven't Earned It Yet, Baby" and Kate and Anna McGarrigle's "Complainte pour Ste. Catherine" (given a rather Cuban rearrangement that foreshadows her later experiments in latin music) -- show both MacColl's widely varied influences and her immense interpretive powers. [In 2005 EMI reissued Kite with the bonus tracks "Happy," "Am I Right?," "El Paso," "Le Foret de Mimosas," "Complainte Pour Ste Catherine," as well as alternate mixes of "Freeworld," "Innocence," "No Victims [Guitar Heroes Mix]" and "End of a Perfect Day."] ~ Stewart Mason, All Music Guide
Credits
| Name | Credits | | Alan Douglas | Engineer | | Andrew McPherson | Photography | | Ben Cruft | Violin | | Chris Dickie | Engineer | | Colin Stuart | Guitar (Electric), Mixing, Guitar (Acoustic), Engineer | | Dave Woodcock | Violin | | David Gilmour | Guitar, Guitar (Electric), Engineer | | David Palmer | Percussion, Drums | | Fiachra Trench | String Arrangements, Brass Arrangement | | Gavyn Wright | Violin | | Guy Baker | Trumpet | | Guy Pratt | Bass | | Heidi Cannovo | Assistant Engineer, Mixing Assistant | | James Eller | Bass | | Jamie | Vocals | | Jamie Talbot | Sax (Tenor) | | Johnny Marr | Guitar (Acoustic), Harmonica, Guitar (Electric) | | Kirsty MacColl | Multi Instruments, Guitar (Steel), Percussion, Guitar (Bass), Vocals, Guitar (Electric), Autoharp, Design, Guitar (Acoustic), Lap Steel Guitar | | Malcolm Griffiths | Trombone | | Mark Berrow | Violin | | Mark Wallis | Mixing | | Mel Gaynor | Drums | | Noel Harris | Engineer, Assistant Engineer | | Paul Crowder | Percussion, Tambourine | | Pete Glenister | Guitar (Electric), Guitar (Acoustic) | | Philip Todd | Clarinet | | Pino Palladino | Bass | | Robbie McIntosh | Guitar (Acoustic), Guitar (Electric) | | Roy Gillard | Violin | | Roy Spong | Assistant Engineer | | Stephen Chase | Engineer | | Steve Lillywhite | Producer, Bass | | Steve Turner | Guitar (Electric), Effects, Harmonica | | Stuart Brooks | Trumpet | | Wilfred Gibson | Violin | | Yves N'Djock | Guitar (Electric), Vocals |
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