Album Details
Title: Pronounced Leh-Nerd Skin-Nerd Artist: Lynyrd Skynyrd Release Date: 9/1973 Re-Released On: 9/17/2007 Label: MCA Records, Universal Distribution Duration: 43:03 Album Type(s): lyrics/libretto UPCs: 008811095321, 008811153427, 4988005488619, 008811907228, 076732168516, 076732168547, 5011781179828, 643346005218 Genre: Rock Styles: Rock & Roll, Blues-Rock, Hard Rock, Southern Rock, Arena Rock, Boogie Rock, Album Rock Moods: Boisterous, Earthy, Rebellious, Rollicking, Rowdy, Freewheeling, Party/Celebratory, Poignant, Rambunctious, Raucous, Reckless, Rousing, Searching, Earnest, Exuberant, Ominous, Yearning Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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I Ain't the One
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Tuesday's Gone
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Gimme Three Steps
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Simple Man
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Things Goin' On
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Mississippi Kid
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Poison Whiskey
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Free Bird
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Universal Distribution | 93329 | | 1996 | CD | MCA Records | 11534 | | 1993 | CD | MCA Records | 10953 | | 1992 | CD | MCA Records | 19072 | | 1991 | CD | MCA Records | 01798 | | ------ | CD | MCA Records | MCAD-1685 |
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Album Review
The Allman Brothers came first, but Lynyrd Skynyrd epitomized southern rock. The Allmans were exceptionally gifted musicians, as much bluesmen as rockers. Skynyrd was nothing but rockers, and they were Southern rockers to the bone. This didn't just mean that they were rednecks, but that they brought it all together -- the blues, country, garage rock, Southern poetry -- in a way that sounded more like the South than even the Allmans. And a large portion of that derives from their hard, lean edge, which was nowhere more apparent than on their debut album, Pronounced Leh-Nerd Skin-Nerd. Produced by Al Kooper, there are few records that sound this raw and uncompromising, especially records by debut bands. Then again, few bands sound this confident and fully formed with their first record. Perhaps the record is stronger because it's only eight songs, so there isn't a wasted moment, but that doesn't discount the sheer strength of each song. Consider the opening juxtaposition of the rollicking "I Ain't the One" with the heartbreaking "Tuesday's Gone." Two songs couldn't be more opposed, yet Skynyrd sounds equally convincing on both. If that's all the record did, it would still be fondly regarded, but it wouldn't have been influential. The genius of Skynyrd is that they un-self-consciously blended album-oriented hard rock, blues, country, and garage rock, turning it all into a distinctive sound that sounds familiar but thoroughly unique. On top of that, there's the highly individual voice of Ronnie Van Zant, a songwriter who isn't afraid to be nakedly sentimental, spin tales of the South, or to twist macho conventions with humor. And, lest we forget, while he does this, the band rocks like a motherf*cker. It's the birth of a great band that birthed an entire genre with this album. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Kooper | Producer, Engineer | | Allen Collins | Guitar, Guitar (Rhythm) | | Billy Powell | Keyboards | | Bob Burns | Drums | | Bobby Langford | Engineer | | Bobbye Hall | Percussion | | Dan Turbeville | Engineer | | Danny Rurbervill | Engineer | | Dave Katz | Harmonica | | Ed King | Bass, Guitar (Bass), Guitar | | Gary Rossington | Guitar (Rhythm), Guitar | | George Rossington | Guitar (Rhythm), Guitar | | Leon Wilkeson | Bass, Guitar (Bass) | | Robert Nix | Drums | | Rodney Mills | Engineer | | Ronnie Van Zant | Vocals | | Roosevelt Gook | Mandolin, Vocals, Keyboards, Mellotron, Organ, Drums (Bass), Vocal Harmony, Bass | | Steve Katz | Harmonica |
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