Album Details
Title: Joshua Judges Ruth Artist: Lyle Lovett Release Date: 3/31/1992 Re-Released On: 2/26/2002 Label: Curb, Digital Sound Duration: 57:15 Album Type(s): lyrics/libretto UPCs: 008811047528, 008811047542, 008811047559, 710215443027 Genre: Rock Styles: Adult Alternative Pop/Rock, Alt-Country, Alternative/Indie Rock Moods: Literate, Quirky, Sophisticated, Wry, Ironic, Irreverent, Witty, Amiable/Good-Natured, Cerebral, Cynical/Sarcastic, Elegant, Humorous, Organic, Playful, Refined/Mannered, Reflective, Restrained, Ambitious, Bittersweet, Plaintive, Self-Conscious, Confident, Earnest, Freewheeling, Fun, Gentle, Intimate, Melancholy, Poignant, Precious, Uncompromising Total Copies: 16 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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I've Been to Memphis
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Church
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She's Already Made Up Her Mind
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North Dakota
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You've Been So Good Up to Now
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All My Love Is Gone
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Since the Last Time
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Baltimore
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Family Reserve
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She's Leaving Me Because She Really Wants To
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Flyswatter/Ice Water Blues (Monte Trenckmann's Blues)
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She Makes Me Feel Good
Additional Releases
| Year | Type | Label | Catalog # | | 2002 | CD | Digital Sound | 4430 | | 1992 | CD | Curb | MCAD-10475 |
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Other Editions
- No other editions were found for this album.
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Album Review
While Lyle Lovett and His Large Band wasn't a massive chart hit, it was successful enough to establish an audience for Lovett outside the boundaries of the country market, and 1992's Joshua Judges Ruth found Lovett seemingly free to follow his muse wherever it cared to go. Joshua Judges Ruth only bore the faintest glimmers of Lovett's country leanings (notable exception: "She's Leaving Me Because She Really Wants To"), and more surprisingly it suggested he was also moving away from the broad-shouldered jazz and blues accidents that dominated much of Pontiac and Large Band. Compared to his previous work, Joshua Judges Ruth sounds startlingly spare -- producer and engineer George Massenburg brings a clear and keenly detailed sound to these sessions that allows all the details of the low-key arrangements to be heard, and "She's Already Made Up Her Mind," "Baltimore," and "Family Reserve" seem to have been recorded with this in mind. The songs also reflect a shift toward more serious and introspective themes for Lovett; outside of the gospel-influenced "Church" and the easygoing "She Makes Me Feel Good," his trademark humor is conspicuous in its absence, and loss, loneliness, and heartbreak dominate the lyrics. While the craft of Joshua Judges Ruth ranks with the finest work of Lovett's career, its spare and sober surfaces aren't especially engaging, and it's the sort of album fans are more likely to admire than embrace with pleasure. ~ Mark Deming, All Music Guide
Credits
| Name | Credits | | Alan Yoshida | Mastering | | Arnold McCuller | Tenor (Vocal) | | Arnold McCutler | Vocals | | Billy Williams | Trombone, Guitar, Arranger, Producer, Guitar (Electric) | | Dan Higgins | Sax (Alto) | | Dean Parks | Guitar (Electric), Guitar (Rhythm), Guitar (Acoustic), Vocals (Background), Slide Guitar | | Doug Sax | Mastering | | Edgar Meyer | Bass (Acoustic), Bass | | Emmylou Harris | Vocals (Background), Vocals, Vocal Harmony | | Francine Reed | Vocals, Alto (Vocals) | | George Massenburg | Engineer, Producer, Mixing | | Gil Morales | Engineer | | Greg Smith | Sax (Baritone) | | Ivy Skoff | Production Coordination | | Jay Dee Maness | Guitar, Guitar (Steel) | | John Hagen | Cello | | Johnny Lee Schell | Guitar (Electric) | | Jonas Livingston | Art Direction | | Kathy Hazzard | Vocals (Background), Soprano (Vocal) | | Kevin Dorsey | Bass (Vocal), Bass, Vocals, Vocals (Background) | | Larry Williams | Sax (Tenor) | | Leland Sklar | Bass | | Leo Kottke | Guitar (Acoustic), Guitar | | Lyle Lovett | Guitar, Guitar (Acoustic), Guitar (Rhythm), Vocals, Producer | | Marnie Riley | Engineer | | Matt Rollings | Piano, Organ, Organ (Hammond) | | Michael Wilson | Photography | | Nathaniel Kunkel | Engineer | | Noel Hazel | Engineer | | Peter Nash | Photography | | Plas Johnson | Sax (Tenor) | | Ray Herndon | Guitar (Electric), Guitar (Rhythm) | | Rickie Lee Jones | Vocal Harmony, Vocals (Background) | | Ron Lewter | Mastering | | Russ Kunkel | Drums | | Sir Harry Bowens | Vocals (Background), Tenor (Vocal) | | Steve Holroyd | Engineer | | Sweet Pea Atkinson | Vocals (Background), Baritone (Vocal) | | Tim Stedman | Design, Art Direction | | Willis Alan Ramsey | Vocals (Background), Vocal Harmony |
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