Album Details
Title: The Best of B.B. King [MCA] Artist: B.B. King Release Date: 1/21/2002 Re-Released On: 7/16/1992 Label: MCA Special Products, MCA Records Duration: 40:17 Album Type(s): Greatest Hits UPCs: 076731104027, 008811909925, 076742707415, 076742707446 Genre: Blues Styles: Early R&B, Soul-Blues, Modern Electric Blues, Memphis Blues, Regional Blues Moods: Amiable/Good-Natured, Dramatic, Earnest, Gritty, Passionate, Refined/Mannered, Reflective, Wistful, Intimate, Laid-Back/Mellow, Organic, Poignant, Rollicking, Sophisticated, Boisterous, Cheerful, Confident, Earthy, Elegant, Happy, Joyous, Reverent, Rousing, Stylish, Sweet, Autumnal, Bravado, Fiery, Freewheeling, Innocent, Plaintive, Street-Smart Total Copies: 21 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Hummingbird
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Cook County Jail Introduction
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How Blue Can You Get?
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Caldonia
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Sweet Sixteen
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Ain't Nobody Home
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Why I Sing the Blues
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The Thrill Is Gone
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Nobody Loves Me But My Mother
Additional Releases
| Year | Type | Label | Catalog # | | 1992 | CD | MCA Records | 19099 | | ------ | CD | MCA Special Products | HAND-20233 |
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Album Review
True, this 1973 vintage best-of album covers a ridiculously slim wedge of time in the blues king's long career. Yet this period was quite significant, for it marks the crest of B.B. King's initial entry into the pop music mass market -- and this album surfs succinctly, if not comprehensively, over the high points of his turn-of-the-decade winning streak. There's a potent slice of King's triumphant Live at Cook County -- one of his sassiest "How Blue Can You Get?" on records -- the huge hit "The Thrill Is Gone" extracts from his surprisingly pleasing early excursions into pop/rock territory on In London and Indianola Mississippi Seeds, and plenty of flavorful electric blues ("Sweet Sixteen," "Why I Sing the Blues") at full length. There are some quirks -- "Caldonia" is shortened because one of the unnamed participants on the session demanded the cut, and the "compatible stereo/quad" sound on the LP has some details drastically mixed down when it's played back in ordinary stereo. Most curious of all is the last track, where King plunks out "Nobody Loves Me but My Mother" on a tack piano and then his closing words are converted into a weird, gradually slowed-down, echotized electronic blur that settles into a creepy locked-end groove. ~ Richard S. Ginell, All Music Guide
Credits
| Name | Credits | | Aaron Baron | Engineer | | Alan Sekuler | Graphic Coordinator | | B.B. King | Piano, Vocals, Guitar, Guitar (Electric) | | Baker Bigsby | Remastering, Assembly, Engineer | | Bert de Coteaux | String Arrangements, Horn Arrangements | | Bill Perkins | Sax (Baritone), Clarinet | | Bill Szymczyk | Producer, Remixing, Engineer | | Bobby Keys | Saxophone, Sax (Tenor), ? | | Booker Walker | Sax (Alto) | | Bryan Garofalo | Bass (Electric), Bass | | Carl Hall | Vocals (Background), Vocals, Bass | | Chuck Findley | Trombone | | Clydie King | Vocals, Vocals (Background) | | David Spinozza | Guitar | | Dominic Lumetta | Assistant Assembly, Remastering Assistant, ? | | Duster Bennett | Harmonica | | Earl Turbinton | Sax (Alto) | | Ed Michel | Producer, Remastering, Assembly | | Gary Kelgren | Engineer | | Gary Kellgram | Engineer | | Gary Wright | Organ | | Gavyn Wright | Organ | | Gerald Jemmott | Bass, Bass (Electric), Fretless Bass | | Gil Fortis | ?, Remastering Assistant, Assistant Assembly | | Herb Lovelle | Drums | | Hugh McCracken | Guitar, ? | | Jerry Ragovoy | Piano | | Jim Gordon | Drums | | Jim Keltner | Drums | | Jim Price | Horn Arrangements, Trumpet, Trombone | | Jimmie Haskell | String Arrangements, Horn Arrangements | | Joe Burton | Trombone | | Joe Walsh | Guitar | | Joe Zagarino | Producer, Engineer | | John Browning | Trumpet | | John Uribe | Guitar | | Joseph Burton | Trombone | | Joshie Armstead | Vocals, Vocals (Background) | | Kathryn King | Remastering Assistant, Assistant Assembly, ? | | Ken Klinger | Remastering Assistant, Assistant Assembly, ? | | Klaus Voormann | Bass, ?, Fretless Bass | | Leon Russell | Piano, Conductor | | Louis Hubert | Sax (Tenor) | | Mel Brown | Guitar | | Merry Clayton | Vocals, Vocals (Background) | | Ollie Mitchell | Trumpet | | Paul Harris | Piano, Guitar (Electric) | | Phil Schiler | Engineer | | Renee White | Paintings, Artwork | | Richard Wright | Piano (Electric) | | Rob Fraboni | Assistant Assembly, ?, Remastering Assistant | | Ron Levy | Piano | | Ruby Mazur | Art Direction | | Russ Kunkel | Drums | | Sherlie Matthews | Vocals (Background), Vocals | | Sonny Freeman | Drums | | Tasha Thomas | Vocals, Vocals (Background) | | Venetta Fields | Vocals (Background), Vocals | | Wilbert Freeman | Bass (Electric), Bass, Fretless Bass | | Zee Muffco | Engineer, Producer, Reproduction |
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