Album Details
Title: Love and Rockets Artist: Love and Rockets Release Date: 4/1989 Re-Released On: 7/26/1993 Label: Beggars Banquet/RCA, Beggars Banquet Duration: 37:11 UPCs: 078635971521, 078635971514, 078635971545, 5012093009926, 607618009922 Genre: Rock Styles: Alternative Pop/Rock, Goth Rock, Contemporary Pop/Rock, Post-Punk, Alternative/Indie Rock, College Rock, Dance-Rock Moods: Cerebral, Complex, Confident, Cynical/Sarcastic, Detached, Dreamy, Eerie, Gloomy, Gritty, Hypnotic, Insular, Ironic, Plaintive, Playful, Poignant, Reflective, Searching, Street-Smart, Stylish, Swaggering, Theatrical, Trippy, Visceral, Whimsical, Wry, Yearning, Atmospheric, Brooding, Earnest, Ethereal, Fierce, Gutsy, Intense, Sexy, Smooth, Sparkling, Lush, Nocturnal, Spacey, Trashy Total Copies: 11 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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**** (Jungle Law)
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No Big Deal
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The Purest Blue
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Motorcycle
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I Feel Speed
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Bound for Hell
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The Teardrop Collector
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So Alive
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Rock & Roll Babylon
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No Words No More
Additional Releases
| Year | Type | Label | Catalog # | | 1993 | CD | Beggars Banquet | 99 | | 1990 | CD | Beggars Banquet/RCA | 9715-2-R13 |
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Album Review
As the band's breakthrough record in the U.S., riding high on the left-field success of the slinky T. Rex homage "So Alive," this album still divides the band's fans to the present. Charges of sell-out are incredibly curious, because aside from "So Alive," absolutely nothing here sounds like it would have gotten anywhere on the airwaves. While Ash and David J were clearly dividing their songwriting efforts, resulting in a rather schizophrenic album, what they were writing and performing were some of the best songs of their collected careers. David J gets to indulge rock & roll and blues traditionalism on a number of his tracks, beginning with the opening "**** (Jungle Law)," a radical reworking of the old "Signifying Monkey" standard with compressed production and an almost industrial beat from Haskins. Another redone oldie is "Bound for Hell," a tale of the Devil driving a train to down below; David J runs his vocals through crackly distortion, playing harmonica while Ash plays a huge, thrashy guitar line. Perhaps his best number is his most atypical: "Rock and Roll Babylon," a barbed study of fame with Ash's sax and a string quartet fleshing out the sound beautifully. Ash's songs do some roots revisiting as well, in their own ways. "No Big Deal" and especially "Motorcycle" show that the man's been listening to some Jesus and Mary Chain, but his wonderful vocal purr marks them as his own songs. An unexpected addition to everything is "The Purest Blue," a radical reworking of Earth Sun Moon's "Waiting for the Flood" which leaves almost nothing of the original. ~ Ned Raggett, All Music Guide
Credits
| Name | Credits | | Bill Thorp | Violin, String Arrangements, Arranger | | Brian Brooks | Violin | | Daniel Ash | Fuzz Bass, Guitar (Electric), Guitar, Vocals, Keyboards, Saxophone, Bass | | David J | Keyboards, Feedback, Vocals (Background), Bass, Harmonica, Guitar (Acoustic), Vocals, Guitar | | John Fryer | ?, Engineer, Producer, Synthesizer, Synthesizer Strings | | Josie Abbott | Cello | | Kevin Haskins | Drums, Guitar Feedback, Keyboards, ?, Vibraphone, Guitar, Percussion, Sampling | | Lorna Wright | Vocals (Background) | | Love and Rockets | Design, Producer | | Penny Thompson | Viola | | Ruby James | Vocals (Background) | | Spyros Horemis | Artwork | | Steve Webbon | Artwork | | Sylvia Mason James | Vocals (Background) |
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