King Crimson - In the Wake of Poseidon

King Crimson - In the Wake of Poseidon
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Album Details

Title: In the Wake of Poseidon
Artist: King Crimson
Release Date: 1970
Re-Released On: 4/1/2008
Label: EG Records, Caroline Distribution, EMI Music Distribution, Victor Records, Virgin
Duration: 40:56
Album Type(s): lyrics/libretto
UPCs: 017046150323, 182478453325, 4988013046702, 017046150347, 0724384406653, 077778674429, 4582213912111, 4988005354846, 4988013241206, 724384406622, 724384894825
Genre: Rock
Styles: Prog-Rock, Album Rock, Art Rock
Moods: Austere, Complex, Epic, Rousing, Aggressive, Brooding, Fiery, Meandering, Poignant, Sprawling, Earnest, Gloomy, Intense, Ominous, Plaintive, Volatile, Wistful, Eerie, Energetic, Quirky, Reflective, Sophisticated, Paranoid, Trippy, Cerebral, Theatrical
Total Copies: 0
Members Wishing: 7
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Peace-A Beginning
  2. Pictures of a City
  3. Cadence and Cascade
  4. In the Wake of Poseidon [Including Libra's Theme]
  5. Peace - A Theme
  6. Cat Food
  7. The Devil's Triangle
  8. Peace-An End

Additional Releases

YearTypeLabelCatalog #
2008CDVictor RecordsIecp50002
2001CDVirgin8 48948
2000CDCaroline Distribution1503
2000CDVirgin2
1989CDEMI Music Distribution2
------CDEG RecordsEGCD-2

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Album Review

King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") -- is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the dominant instrument here: The Mellotron, taken over by Fripp after McDonald's departure -- and played even better than before -- still remains the band's signature. The record doesn't tread enough new ground to precisely rival In the Court of the Crimson King. Fripp, however, has made an impressive show of transmuting material that worked on stage ("Mars" aka "The Devil's Triangle") into viable studio creations, and "Cadence and Cascade" may be the prettiest song the group ever cut. "The Devil's Triangle," which is essentially an unauthorized adaptation of "Mars, Bringer of War" from Gustav Holst's The Planets, was later used in an eerie Bermuda Triangle documentary of the same name. [In March of 2000, Caroline and Virgin released a 24-bit digitally remastered job that puts the two Mellotrons, Michael Giles' drums, Peter Giles' bass, and even Fripp's acoustic guitar and Keith Tippett's acoustic piano practically in the lap of the listener.] ~ Bruce Eder, All Music Guide

Credits

NameCredits
Gordon HaskellBass, Vocals
Greg LakeBass, Vocals
JeffEngineer
Keith TippettKeyboards, Piano
Mel CollinsFlute, Saxophone
Michael GilesVocals, Drums
Peter GilesBass
Peter SinfieldDesign, Lyricist, Paintings, Producer, Director
Robbin ThompsonEngineer
Robert FrippDevices, Keyboards, Producer, Guitar, Mellotron, Director
Robin ThompsonEngineer
TonyEngineer