Album Details
Title: The Photographer Artist: Philip Glass Release Date: 1983 Label: Epic, Atlantic, Columbia Duration: 42:14 Album Type(s): Avant-garde, lyrics/libretto UPCs: 074643784924, 074643784948 Genre: Classical Style: Minimalism Moods: Ambitious, Cerebral, Circular, Epic, Complex, Elegant, Restrained, Sophisticated, Uncompromising, Calm/Peaceful, Reserved Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Act I: "A Gentleman's Honor"
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Act II:
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A Gentleman's Honor [Instrumental]
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Act III:
Additional Releases
| Year | Type | Label | Catalog # | | 1990 | CD | Columbia | 37849 | | 1990 | CD | Epic | MK-37849 | | 1983 | CD | Atlantic | MK37849 |
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Other Editions
- No other editions were found for this album.
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Similar CDs
- No similar CDs were found for this album.
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Review
Composing the music for a theater piece revolving around the life and work of photographer Eadweard Muybridge must have seemed a natural fit for Philip Glass, as Muybridge's stop action studies of people and animals in motion have a clear visual analogy in Glass repeating musical cells. Scored for his ensemble accompanied by a chamber orchestra, The Photographer is one of the works bridging the gap between his earlier compositions up through Einstein on the Beach and his later pieces for more traditional instrumentation. The unusual feature here is the presence of violinist Paul Zukofsky in what amounts to a soloist's role, his sawing lines often reminding one incongruously of a hoe-down. While the opening vocal version of "Act I" has an almost too precious and dainty feel, the remainder of the album chugs along at a robust pace familiar to fans of Glass' music. When the final section bursts to life after a lengthy prologue, the brass sputtering, the basslines percolating, one can hardly fail to admire his ability to excite an audience on a visceral level, even as one feels slightly guilty at the ease with which one has been manipulated. ~ Brian Olewnick, All Music Guide
Credits
| Name | Credits | | Adrienne Albert | Choir, Chorus | | Alan Raph | Trombone | | Betty Baisch | Choir, Chorus | | Bill Kipper | Mastering | | Bob Carlisle | French Horn | | Candy Jerrigan | Cover Design | | Carol Pool | Strings | | Dan Dryden | Assistant Engineer | | Dora Ohrenstein | Choir, Chorus, Vocals | | Eadweard Muybridge | Photography | | Eddie Carroll | Trumpet | | Jack Kripl | Sax (Soprano), Flute, Sax (Baritone), Sax (Alto) | | Jeanne Ingram | Strings | | Jill Jaffe | Strings | | Jim Pugh | Trombone | | Judy Geist | Strings | | Kurt Munkasci | Engineer, Producer | | Lew Soloff | Trumpet | | Lewis Eley | Strings | | Maretha Stewart | Choir, Chorus | | Marin Alsop | Strings, Concert Master | | Marlene Ver Planck | Choir, Chorus | | Mary Sue Berry | Choir, Chorus | | Maureen Gallagher | Strings | | Michael Riesman | Piano, Keyboards, Synthesizer Bass, Bass, Conductor, Engineer, Synthesizer | | Paul Zukofsky | Violin | | Philip Glass | Liner Notes, Organ, Keyboards, Main Performer, Arranger, Producer | | Ron Sell | French Horn | | Rose Marie Jun | Choir, Chorus | | Theodore Israel | Strings |
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