Album Details
Title: Too Low for Zero Artist: Elton John Release Date: 5/1983 Re-Released On: 3/20/2001 Label: Rocket Group Pty LTD, MCA Records Duration: 43:54 Album Type(s): lyrics/libretto UPCs: 008811048525, 731455847529, 008811048549, 042281105227, 075992400640, 720642400647, 766484670824 Genre: Rock Styles: Singer/Songwriter, Adult Contemporary, Soft Rock, Contemporary Pop/Rock, Album Rock Moods: Poignant, Rollicking, Rousing, Sentimental, Carefree, Cheerful, Confident, Fun, Lively, Melancholy, Organic, Plaintive, Reflective, Stylish, Wistful, Yearning, Amiable/Good-Natured, Bittersweet, Brash, Bright, Dramatic, Energetic, Freewheeling, Lush, Nocturnal, Playful, Romantic, Smooth, Warm, Whimsical, Bravado, Calm/Peaceful, Delicate, Elegant, Enigmatic, Epic, Intimate, Laid-Back/Mellow, Light, Party/Celebratory, Passionate, Quirky, Sad, Soft, Sprawling, Swaggering, Detached, Earnest, Earthy, Indulgent, Refined/Mannered, Restrained, Rowdy, Searching, Soothing, Sweet, Autumnal, Boisterous, Campy, Confrontational, Raucous, Reserved, Silly, Snide, Summery, Theatrical, Wry, Exuberant, Gentle Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Cold as Christmas (In the Middle of the Year)
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I'm Still Standing
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Too Low for Zero
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Religion
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I Guess That's Why They Call It the Blues
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Crystal
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Kiss the Bride
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Whipping Boy
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Saint
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One More Arrow
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Earn While You Learn [*]
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Dreamboat [*]
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The Retreat [*]
Additional Releases
| Year | Type | Label | Catalog # | | 2001 | CD | MCA Records | 558475 | | 1992 | CD | MCA Records | 558475 | | 1983 | CD | Rocket Group Pty LTD | 8110522 |
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Other Editions
- No other editions were found for this album.
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Album Review
Elton John began inching back into the mainstream with Jump Up, an uneven but strong record highlighted by "Empty Garden." Its success set the stage for Too Low for Zero, a full-fledged reunion with his best collaborator, Bernie Taupin, and his classic touring band. Happily, this is a reunion that works like gangbusters, capturing everybody at a near-peak of their form. That means there aren't just hit singles, but there are album tracks, like the opener, "Cold as Christmas (In the Middle of the Year)," that strongly (and favorably) recall Goodbye Yellow Brick Road. John hadn't been this engaging in years, not since Gerald Ford was in office. Why does this work so well? Well, the question isn't just consistency, since records like A Single Man were strong, but it's because each cut here showcases John at a peak. He's rocking with a vengeance on "I'm Still Standing" and "Kiss the Bride," crafting a gorgeous romantic standard with "I Guess That's Why They Call It the Blues," while knocking songs as immaculately crafted as "Religion" -- songs that anchor this album, giving the hits context. While this may not be as rich as his classic early period, it's a terrific record, an exemplary illustration of what a veteran artist could achieve in the early '80s. [The 1998 reissue -- which didn't appear in the U.S. until 2001 -- contains one bonus track, full artwork, extensive liner notes, and remastered sound.] ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bernie Taupin | Wind, Composer | | Bill Price | Engineer | | Chris Thomas | Original Mastering, Producer | | Davey Johnstone | Vocals, Guitar, Synthesizer, Composer | | Dee Murray | Vocals, Bass | | Elton John | Composer, Vocals, Keyboards | | Gus Dudgeon | Digital Remastering | | James Newton Howard | Keyboards, Arranger, Conductor | | John Tobler | Liner Notes | | Kiki Dee | Vocals, Vocal Harmony | | Mike Gill | Producer, Supervising Producer | | Mike Storey | Graphic Design | | Nigel Olsson | Vocals, Drums | | Peter Mew | Engineer | | Ray Cooper | Percussion | | Rod Dyer | Art Direction | | Skaila Kanga | Harmonica, Harp | | Stevie Wonder | Harmonica |
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