Album Details
Title: Birth of the Cool Artist: Miles Davis Release Date: 1956 Re-Released On: 12/13/2008 Label: Capitol Records, Blue Note, Revolver USA Distribution, Toshiba EMI Duration: 35:29 Album Type(s): Instrumental UPCs: 4988006785281, 4988006843196, 5016681280421, 724353011727, 077779286225 Genre: Jazz Styles: Bop, Cool, West Coast Jazz, Jazz Instrument, Trumpet Jazz Moods: Ambitious, Atmospheric, Confident, Elaborate, Elegant, Intimate, Lush, Manic, Melancholy, Nocturnal, Reflective, Reserved, Restrained, Sophisticated, Bright, Cerebral, Complex, Poignant, Cathartic, Dreamy, Freewheeling, Meandering, Rebellious, Sparkling, Stylish, Uncompromising, Aggressive, Brooding, Detached, Fiery, Intense, Ominous, Provocative, Refined/Mannered, Sprawling, Visceral, Amiable/Good-Natured, Druggy, Hypnotic, Romantic, Soothing, Volatile Total Copies: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Move
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Jeru
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Moon Dreams
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Venus de Milo
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Budo
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Deception
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Godchild
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Boplicity
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Rocker
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Israel
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Rouge
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Darn That Dream
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Revolver USA Distribution | 8128042 | | 2004 | CD | Blue Note | 9252 | | 2001 | CD | Blue Note | 30117 | | 1990 | CD | Capitol Records | C2-92862 | | ------ | CD | Toshiba EMI | 6805 |
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Other Editions
- No other editions were found for this album.
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Album Review
So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, The Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it all seem easy, even at its most intricate. After all, there's a reason why this music was called cool; it has a hip, detached elegance, never getting too hot, even as the rhythms skip and jump. Indeed, the most remarkable thing about these sessions -- arranged by Gil Evans and featuring such heavy-hitters as Kai Winding, Gerry Mulligan, Lee Konitz, and Max Roach -- is that they sound intimate, as the nonet never pushes too hard, never sounds like the work of nine musicians. Furthermore, the group keeps things short and concise (probably the result of the running time of singles, but the results are the same), which keeps the focus on the tones and tunes. The virtuosity led to relaxing, stylish mood music as the end result -- the very thing that came to define West Coast or "cool" jazz -- but this music is so inventive, it remains alluring even after its influence has been thoroughly absorbed into the mainstream ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Haig | Piano | | Al McKibbon | Bass | | Aram Avakian | Cover Photo | | Billy Barber | Tuba | | Franko Caligiuri | Reissue Producer, Reissue Art | | Gerry Mulligan | Arranger, Liner Notes, Sax (Baritone) | | Gil Evans | Arranger | | Gordon Jee | Creative Director | | Gunther Schuller | French Horn | | J.J. Johnson | Trombone | | Joe Shulman | Bass | | John Barber | Tuba | | John Lewis | Piano, Arranger | | Johnny Carisi | Arranger | | Junior Collins | French Horn | | Kai Winding | Trombone | | Kenny "Pancho" Hagood | Vocals | | Kenny Clarke | Drums | | Lee Konitz | Sax (Alto) | | Max Roach | Drums | | Micaela Boland | Design | | Michael Cuscuna | Reissue Producer | | Miles Davis | Leader, Trumpet, Arranger | | Nelson Boyd | Bass | | Pete Rugolo | Producer | | Pete Welding | Liner Notes | | Rudy Van Gelder | Remastering | | Sandy Siegelstein | French Horn | | Walter Rivers | Producer |
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