Album Details
Title: An Innocent Man Artist: Billy Joel Release Date: 8/1983 Label: Columbia, Sony, Sony Japan, Sony Mid-Price Duration: 40:25 Album Type(s): lyrics/libretto, Enhanced CD-ROM UPCs: 074643883726, 074646938928, 4562109409789, 074643883740, 0886971436129, 4547366000528, 5099746632922, 5099749118928, 074643883788, 088697143612, 456210940978 Genre: Rock Styles: Adult Contemporary, Soft Rock, Pop/Rock, Album Rock Moods: Amiable/Good-Natured, Autumnal, Nostalgic, Refined/Mannered, Acerbic, Bittersweet, Brash, Cynical/Sarcastic, Earnest, Energetic, Passionate, Playful, Rollicking, Rousing, Searching, Sentimental, Soothing, Yearning, Bravado, Exuberant, Melancholy, Poignant, Reflective, Restrained, Romantic, Bitter, Laid-Back/Mellow, Sweet, Warm, Angst-Ridden, Organic, Sophisticated Total Copies: 9 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Easy Money
-
An Innocent Man
-
The Longest Time
-
This Night
-
Tell Her About It
-
Uptown Girl
-
Careless Talk
-
Christie Lee
-
Leave a Tender Moment Alone
-
Keeping the Faith
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Sony Japan | 545 | | 2007 | CD | Sony | 88697143612 | | 2002 | CD | Sony | 4 | | 1998 | CD | Sony | 69389 | | 1998 | CD | Columbia | 4911892 | | 1993 | CD | Sony | 38837 | | 1990 | CD | Sony Mid-Price | 4663292 | | 1990 | CD | Sony | 38837 | | 1990 | CD | Sony | 38837 | | ------ | CD | Columbia | CK-38837 |
|
Other Editions
- No other editions were found for this album.
|
|
Review
Recording The Nylon Curtain exhausted Billy Joel, and even though it had a pair of major hits, it didn't rival its predecessors in terms of sales. Since he labored so hard at the record, he decided it was time for a break -- it was time to record an album just for fun. And that's how his homage to pre- Beatles pop, An Innocent Man, was conceived: it was designed as a breezy romp through the music of his childhood. Joel's grasp on history isn't remarkably astute -- the opener "Easy Money" is a slice of Stax/Volt pop-soul, via The Blues Brothers (quite possibly the inspiration for the album), and the label didn't break the pop charts until well after the british invasion -- but he's in top form as a craftsman throughout the record. Only once does he stumble on his own ambition ("This Night," which appropriates its chorus from Beethoven). For the rest of the record, he's effortlessly spinning out infectious, memorable melodies in a variety of styles, from the Four Seasons send-up "Uptown Girl" and the soulful "Tell Her About It" to a pair of doo wop tributes, "The Longest Time" and "Careless Talk." Joel has rarely sounded so carefree either in performance or writing, possibly due to "Christie Lee" Brinkley, a supermodel who became his new love prior to An Innocent Man. He can't stop writing about her throughout the album -- only three songs, including the haunted title track, aren't about her in some form or fashion. That giddiness is infectious, helping make An Innocent Man an innocent delight that unwittingly closes Joel's classic period. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bill Zampino | Advisor, Percussion, Music Advisor | | Billy Joel | Main Performer, Keyboards, Organ, Vocals, Harmonica, Producer, Composer, Fender Rhodes, Organ (Hammond), Synthesizer, Vocals (Background), Piano | | Bradshaw Leigh | Engineer | | Charles McCracken | Cello | | Christopher Austopchuk | Cover Design | | Dave Brown | Guitar, Guitar (Acoustic), Guitar (Electric) | | David Brian Brown | Guitar (Acoustic), Guitar (Electric) | | David Matthews | String Arrangements, Horn Arrangements, Horn Arrangements, Horn, String Arrangements | | David Sanborn | Sax (Alto), Saxophone | | Dom Cortese | Accordion | | Doug Stegmeyer | Bass | | Eddie Daniels | Wind | | Eric Gale | Horn, Guitar, Guitar (Electric), Strings | | Eric Troyer | Vocals (Background), Vocals | | Finest Hour | Strings | | Frank Floyd | Vocals (Background), Vocals | | Gilles Larrain | Photography | | Jen Wyler | Author, Authoring | | Jim Boyer | Engineer, Mixing | | Joe Shepley | Horn, Trumpet | | John Gatchell | Trumpet | | John Naatjes | Tape Research | | Jon Faddis | Trumpet | | Joseph J. Shepley | Trumpet | | Lani Groves | Vocals, Vocals (Background) | | Laura Loncteaux | Production Coordination | | Leon Pendarvis | Organ (Hammond), Organ | | Liberty DeVitto | Drums, Percussion | | Mark Rivera | Vocals, Saxophone, Sax (Tenor), Vocals (Background), Percussion, Sax (Alto) | | Marl Larson | Cover Design | | Michael Alexander | Vocals | | Michael Allaire | Engineer, Assistant Engineer | | Michael Brecker | Saxophone, Sax (Tenor) | | Mike Alexander | Vocals (Background), Vocals | | Patrick Demarchelier | Photography | | Phil Ramone | Producer | | Ralph MacDonald | Percussion | | Richard Tee | Piano, Organ | | Rob Mounsey | Synthesizer | | Ron Taylor | Vocals (Background), Vocals, Vocals | | Ronnie Cuber | Saxophone, Sax (Baritone) | | Rory Dodd | Vocals, Vocals (Background) | | Russell Javors | Guitar, Guitar (Rhythm), Guitar (Acoustic), Guitar (Electric) | | Scott James | Engineer, Assistant Engineer | | Ted Jensen | Digital Remastering, Remastering | | Terry Textor | Vocals (Background), Vocals | | Tom Bahler | Vocals, Vocal Arrangement, Vocals (Background) | | Toots Thielemans | Harmonica | | Ullanda McCullough | Vocals (Background), Vocals |
|
|