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Wardell Gray Story
Wardell Gray
Wardell Gray Story
Genres: Jazz, Pop
 
  •  Track Listings (16) - Disc #1
  •  Track Listings (22) - Disc #2
  •  Track Listings (22) - Disc #3
  •  Track Listings (16) - Disc #4

This 77 track celebration of the man's art is the most complete in the marketplace and comes with a 40 page booklet telling the story of one of the truly great bebop tenor saxophonists and including session details and ...  more »

     
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CD Details

All Artists: Wardell Gray
Title: Wardell Gray Story
Members Wishing: 3
Total Copies: 0
Label: Proper Box UK
Release Date: 2/24/2003
Album Type: Import
Genres: Jazz, Pop
Style: Bebop
Number of Discs: 4
SwapaCD Credits: 4
UPCs: 805520020558, 766489718323

Synopsis

Album Description
This 77 track celebration of the man's art is the most complete in the marketplace and comes with a 40 page booklet telling the story of one of the truly great bebop tenor saxophonists and including session details and rare photos. Four standard jewel cases housed in cardboard slipbox. Proper. 2003.
 

CD Reviews

Nobody Swung More than Wardell Gray
Jazz Fan 59 | Toronto, Canada | 05/29/2005
(5 out of 5 stars)

"Wardell Gray was acknowledged to be one of the finest tenor saxophonists in jazz. He arrived as a 21-year old soloist in the Earl Hines big band of 1944-5. His style is firmly rooted in Lester Young, but his sound is all his own. His style resembles Dexter Gordon, but Dexter was closer to Parker, while Gray is closer to Young. His sound is full and rich and he swings hard. Like Young he has the ability to build solos of incredible drive through the use of memorable riffs. His ballad playing is haunting and memorable.



He was a regular participant in concerts staged by Gene Norman.

These were free-swinging jam sessions that placed a premium on on-the-spot improvisation. With the likes of Sonny Criss, Al Killian and Dodo Marmarosa these were very exciting affairs.

There's lots of this stuff here, much of it quite rare.



Gray's first solos with the Hines band of 1945 are here. The band sounds great, and the solo work is terrific.



The 1946 quartet sides with pianist Dodo Marmarosa are phenomenal. Their ballad paraphrase of the Man I Love is brilliant.



Gray's big brush with fame came as Benny Goodman's featured soloist in the 1948 "bebop" band. All the Capitol sides are here, including "Stealin Apples" with Fats Navarro. Gray is also heard with the Tadd Dameron band, again with Navarro.

The rare "Clique Club" recordings with Goodman, clarinet sensation Stan Hasselgard, Teddy Wilson and Mary Lou Williams are also here.



Of course, Gray's biggest hit "Twisted" is here. The Prestige stuff with Al Haig, and the Art Farmer Hampton Hawes recordings are here. This is where this set ends, circa 1953. Gray did record some later stuff that is not here, he died in 1956, but what is here is marvellous.



Gray plays superbly throughout. The sound is good. Much of this material has not been available for years, if ever. This is a real feast for tenor-lovers. I have played this package constantly since I got it, and recommend it highly.





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