Search - Ralph Vaughan Williams, Neville Marriner, Academy of St. Martin-in-the-Fields :: Vaughan Williams: Fantasia on a Theme by Thomas Tallis, In the Fen Country, Norfolk Rhapsody No. 1 in E Minor, The Wasps Overture, Variations for Orchestra, Five Variants of Dives and Lazarus

Wonderful music, beautiful recordings

Matthew | Greenfield, Indiana | 09/15/2000

(5 out of 5 stars)

"This CD is a delightful collection of some of Vaughan Williams' best-known and best-loved works. All of the recordings are superb, nothing less than what is expected of Marriner and the Academy. If there is any gripe at all, the earlier recording of the Thomas Tallis Fantasia by Marriner and AMSF (on the Argo label) has a little more of the "grab-you" effect when the full orchestra comes cascading in after the first pizzicato statement of the melody. Haitink's performance of the Norfolk Rhapsody (coupled with the Symphony #5) is a little more driven and striking... but folks, these are very minor points. All in all, you will be hard-pressed to find a more satisfying collection of these pieces. When you hear "the wasps" buzzing in the first 10 seconds of the CD, you will know you are in for a treat."

A Sterling Compilation

Joseph Grienenberger | San Diego, CA | 01/24/2006

(5 out of 5 stars)

"This recording features exquisite performances, flawless sound, and a very well-chosen program. A previous reviewer categorized the playing as "wooden," but I disagree; perhaps the sublime subtlety of some of these pieces struck that listener as being timidity on the part of the orchestra, especially after the rousing opener, the "Wasps Overture."



I own a number of Vaughan Williams recordings, but this compilation is by far my favorite [it is rarely out of my CD player]. The symphonies are masterworks and the multitudes of songs and choral works are very effecting, but these orchestral works are magnificent in their breadth of styles -- Vaughan Williams really knew how to make use of all the colors an orchestra can create, alternating from huge tuttis to quartet soli; he was a master of writing, for lack of a better phrase, "just the right amount of music" at any given moment, never afraid to have the majority of the orchestra tacet for dozens of bars so that simplicity may reign.



When I first got this CD, I was unfamiliar with the "Norfolk Rhapsody" or "In the Fen Country", but was soon very happy to have encountered them. Though this recording contains the oft-recorded Tallis Fantasia, this is by far the best reading of that magnificent work -- Marriner brilliantly gives all of Vaughan Williams' orchestration tricks their due, from the manipulation of using simultaneous unison and divisi writing to emphasize harmonics, to a striking short section of sustained chords played con sordino that sounds like a church organ; it's simply gorgeous and breathtaking. Above all, I'm grateful this recording does not include the Greensleeves Fantasia that seems to be on virtually every other Vaughan Williams recording.



This recording makes a superb introduction to Vaughan Williams for neophytes [I've gifted this CD to numerous people over the past few years]. Though British music has a reputation for being pretty but restrained, Vaughan Williams' works are passionate, extremely melodic, fetchingly harmonic, and at times achingly bittersweet. A passionate Englishman -- what a concept!"

Excellent Vaughan Williams

D. A Wend | Buffalo Grove, IL USA | 03/26/2002

(5 out of 5 stars)

"I was unfamiliar with the majority of the pieces on this CD, which made it attractive for me. The music comes from widely spaced periods of Ralph Vaughan Williams's life (1903 to 1957). The familiar works, The Wasps and Thomas Tallis, are very well played by the Academy of St Martins in the Fields, as indeed are the other selections. I liked the phrasing in Tallis and The Wasps overture was played with great fun and spirit. In the Fen Country, Norfolk Rhapsody (based on folk songs from Norfolk) and Five Variations of Dives and Lazarus recall Vaughan Williams's The Lark Ascending and his Third and Fifth symphonies. There are serene, bucolic works that have the feel of the English countryside in them. The Variations for Orchestra was written when the composer was 85 for wind band, but is played here in an orchestration by Gordon Jacobs. The variations recalling the then large-scale work the composer was writing - his Ninth symphony, but is even reminiscent of his Fifth.To conclude, this is a disc of beautiful music well played by St. Martins in the Field, under their longtime conductor Neville Mariner. Not to be missed by lovers of Vaughan Williams's music."