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Might As Well: Persuasions Sing Grateful Dead
The Persuasions
Might As Well: Persuasions Sing Grateful Dead
Genres: Folk, Pop, R&B, Rock, Broadway & Vocalists
 
  •  Track Listings (14) - Disc #1

The Persuasions are the last of the old-school doo-wop groups (they started kind of late), and the most adventurous--their last album was a set of Frank Zappa covers. Even so, this disc of close-harmony Grateful Dead tunes...  more »

     
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CD Details

All Artists: The Persuasions
Title: Might As Well: Persuasions Sing Grateful Dead
Members Wishing: 10
Total Copies: 0
Label: Arista
Original Release Date: 10/10/2000
Release Date: 10/10/2000
Genres: Folk, Pop, R&B, Rock, Broadway & Vocalists
Styles: Tributes, Soul, Traditional Vocal Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 078221407021

Synopsis

Amazon.com
The Persuasions are the last of the old-school doo-wop groups (they started kind of late), and the most adventurous--their last album was a set of Frank Zappa covers. Even so, this disc of close-harmony Grateful Dead tunes sounds like a stretch, but it's really an outgrowth of their lovely "Black Muddy River" from last year's Stolen Roses compilation, reprised here. The mood is festive if reverent; lots of vocal and instrumental guests show up, including the younger a cappella quartet Mary Schmary and Dead keyboardist Vince Welnick. Robert Hunter's lyrics sometimes shift between musical idioms a little awkwardly, but the group delivers them with palpable sincerity and love, and digs for the R&B roots of the Dead's roses. And when the Persuasions glom onto the right song, they run with it: "Lazy River Road," a late-model song on which bassman Jimmy Hayes does his "human subwoofer" routine, is a treat, and so is their foray into bluegrass (with Jerry Garcia's old collaborator Peter Rowan), "Sugaree." --Douglas Wolk
 

CD Reviews

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Bingo Lingo | Santa Barbara, CA | 10/20/2000
(5 out of 5 stars)

"Recently sang the praises of The Persuasions' "Frankly A Cappella" tribute to Zappa, which I just discovered. (A fall-down funny, foot-stomping masterpiece!) Turned around and found these a cappella guys had made a sharp 180 and done the Grateful Dead. (God, what would Frank say?) It seems the group kicked back and just sang with their hearts on this one. The songs are mostly soft and pretty. The bass guy, Jimmy, sings "Ship of Fools" with the Grateful Dead keyboard player on piano, and it's a show-stopper. The notes say that Jerry Garcia wished someone would come along and sing the band's songs better. I think he got his wish. The harmonies are soulful and Jerry Lawson is at the top of his game. I think people who don't particularly like the Dead will be surprised---I mean,"Black Muddy River" and "Lazy River Road" really put a tear in the old eye. And "It Must Have Been The Roses" must be as sweet a tune as anyone has sung in many a year. These are some heavy lyrics and gorgeous melodies. What are they gonna sing next? Jimi?"
Might As Well? Heck, you Need to!
Margo Esquandolas | Berkeley, CA USA | 10/12/2000
(5 out of 5 stars)

"Absolutely moves your soul, this CD. The Persuasions' unbelievable singing talent really showcases the song-writing talent of the Grateful Dead -- not only serious lyrical prowess, but musical structure and the rest of the music writing package. The classic saying was "The Grateful Dead aren't the best at what they do, they're the only ones to do what they do!" The Persuasions, however, do the one thing the Grateful Dead never did do all that well -- they can really sing! For deadheads, the Dead sang "well enough" and the rest was nothing short of pure magic. But the Persuasions' reinterpretation of this wide range of Grateful Dead classics is nothing short of a different kind of magic -- downright spiritual in feeling, with a full spectrum of "sounds" from do-wop to sort of a 50s thing to a swing-low sound to a tad rockin' feel. Mary Schmary's vocals add a nice balance to the guys in the Persuasions.Title cut of Might As Well really bops and weaves. Lazy River Road lulls while it tugs at your heartstrings. Probably the least-mellow Ripple I've ever heard. Liberty is a song that I finally "gave a chance" with this album, and it has a lot to say really, plus sounds fun. He's Gone was even actually fun, which is quite a thing to do to that song. Roses is simply beautiful. There's even a little friendly ribbing of Bobby on One More Sat. Nite. Bid You Goodnight is a tad fast, but uplifting that way. Black Muddy River is just a classic closer. This is a must have for every Deadhead's collection, and a great thing to share with those who "never got it.""
Excellent
Brooks Williams | 06/07/2001
(5 out of 5 stars)

"I have to admit that I thought the whole concept was a little strange and perhaps a bit hokey, but after I slipped this disc in for the first time I understood completely. There have been a whole slew of Grateful Dead tribute albums in the last few years -- each unique and of varying degrees of quality. The David Gan's produced album, "Stolen Roses" had a rather ecclectic group of artists trying their hand at Grateful Dead tunes -- and while most of these attempts fall short (some of them are downright poor), the Persuasions's "Black Muddy River" is amazing. Apparently, it was this song that ( rightfully) got the Persuasions their own album of Grateful Dead tunes.David Gans and Robert Hunter helped create a list of over 30 songs they thought the Persuasions should record. Of these 30, 15 were released. The songs span the entire career of the Grateful Dead. From "Lazy River Road" to "Here Comes Sunshine", the Persuasions give excellent performances and really capture the soul of the Grateful Dead. "Ship of Fools" features the groups bass, Jimmy Hayes, singing solo, accompanied by former Dead keyboardist, Vince Welnick. "Brokedown Palace" features Peter Rowan (Old And In The Way) trading verses with Jerry Lawson and "One More Saturday Night" features the amazing mouth-drumming of Andrew Chaikin.This treatment of Dead songs brings the tunes away from the jams, away from Garcia's wavery voice and away from most of the instrumentation that we all know and leave only the bare song. The naked genius of the Garcia/Hunter tunes almost overpowering and the Persuasions attack them with blinding soul. It's respectful look at the amazing work of the Grateful Dead.In my opinion, it's the best of the Grateful Dead Tribute albums (although Dedicated is a close second) and it maintains a sense of continuity since the Persuasions do the whole album instead of a whole mess of artists."