Search - Schumann, Norrington, Lcp :: Symphonies 3 & 4

Symphonies 3 & 4
Schumann, Norrington, Lcp
Symphonies 3 & 4
Genre: Classical
 
  •  Track Listings (9) - Disc #1


     
   
?

Larger Image

CD Details

All Artists: Schumann, Norrington, Lcp
Title: Symphonies 3 & 4
Members Wishing: 0
Total Copies: 1
Label: Capitol
Release Date: 1/12/1993
Genre: Classical
Style: Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 077775402520
 

CD Reviews

Excellent
C. Wynn | 09/11/2008
(5 out of 5 stars)

"Norrington's performances have a clarity of line and a beauty that reflect the care and thoughtfulness of his approach to conducting. This recording is no exception. The recording has enhanced my understanding and appreciation of Schumann's symphonies.



I find Norrington's performances less barnstorming and hard driven than Gardiner's period performances with the Orchestre Revolutionaire et Romantique. I think Norrington's subtlety and lack of underlining reveals more of the music. I prefer his approach.

"
OK, If You Like This Sort of Thing
Moldyoldie | Motown, USA | 05/27/2008
(3 out of 5 stars)

"I dug this one out from a corner cranny for perhaps a final hear-see. Norrington and his original instruments ensemble the London Classical Players were all the rage when this was originally released roughly twenty years ago. What they did for/to Beethoven was presumably also good for Schumann, Brahms, Mendelssohn, Schubert, and Berlioz. The tempos here, however, are not that extreme, hewing fairly close to what's often heard in more Classically rendered performances of the Schumann symphonies. The orchestra plays elegantly with nary a purposely blatty horn perforating the proceedings (nor one's ear drums). Norrington doesn't manage to clarify the thick orchestration to an appreciable extent as certain passages do sound muddy, though this could be a result of a certain inexactness in ensemble. Otherwise, these are fairly enjoyable, though nondescript and unexpressive readings of works whose "period charms" are perhaps better exemplified elsewhere. I've yet to hear John Eliot Gardiner's period instrument renditions, nor Norrington's more recent modern instrument renditions from Stuttgart."