Search - Arthur Sullivan, Gillian Knight, Valerie Masterson :: Sullivan & Co.: Operas That Got Away.

Sullivan & Co.: Operas That Got Away.
Arthur Sullivan, Gillian Knight, Valerie Masterson
Sullivan & Co.: Operas That Got Away.
Genre: Classical
 
  •  Track Listings (16) - Disc #1


      
?

Larger Image
Listen to Samples

CD Details

All Artists: Arthur Sullivan, Gillian Knight, Valerie Masterson, Gareth Jones, Frances McCafferty, Arthur Davies, Richard Suart
Title: Sullivan & Co.: Operas That Got Away.
Members Wishing: 0
Total Copies: 0
Label: Jay Records
Release Date: 8/25/1998
Genre: Classical
Style: Opera & Classical Vocal
Number of Discs: 1
SwapaCD Credits: 1
UPC: 605288130229
 

CD Reviews

An excellent recording, long overdue
03/10/1999
(5 out of 5 stars)

"This CD spotlights Sullivan's non-Gilbert works, and, as such, is full of surprises. Still, the producers seemed to have decided to put in as much material that is "Sullivanesque" as possible. "Ho jolly jenkin" from Ivanhoe is probably the most familiar, and perhaps should have been replaced by something else from the same work. The biggest failing is the neglect of The Rose of Persia in favor of The Emerald Isle. The selections from The Emerald Isle that appear on this recording are not even Sullivan's arrangements, since he died before he finished it. Besides, The Rose of Persia is much better, both as drama and as music. The biggest surprises are "The gay hussar" from The Chieftain and the two selections from The Martyr of Antioch. The madrigal from Haddon Hall is performed a little too slow. The pace of "The sun's in the sky" may be too brisk for those familiar with earlier recordings, but I like it. "Ride on" (The Beauty Stone) is perhaps the most uncharacteristic selection. The soloists are okay, though the tenor creaks once or twice. All in all, a recording not to be missed by any G&S fan. Maybe the next time a recording like this is undertaken, we'll get an entire work -- how long must we wait to hear The Martyr of Antioch in its entirety in a modern recording?! (And yes, I know The Rose of Persia is due out this year . . . .)"
How could one not wish for more?
Brett Farrell | Cape May, NJ USA | 08/30/2003
(5 out of 5 stars)

"I love and hate this cd. I love it because it thrills whom ever listens to it with the beautiful but neglected works of Arthur Sullivan that were not written in partnership with W.S. Gilbert. The recording and the quality of the preformances are fantastic. I especially loved 'The Emerald Isle' and 'The Beauty Stone'. It filled me with the desire to consume these operas en total. Unfortunatly this is also the reason I hate it. It is quite difficult to find complete recordings of these operas (Besides the dreadull Pearl Label ones). From just a few scraps of the Emerald Isle I am in love with it, but seemingly doomed to either subpar recordings of nothing at all...woe to me!"
An excellent but flawed disc
J Winterton | Bromley, Kent United Kingdom | 01/08/2003
(4 out of 5 stars)

"This is in many ways an excellent and very welcome addition to the growing range of recordings of Sullivan's "non-G" music. The items selected are enjoyable and are well-sung and well-performed. However, the disc is not generously filled. While this may well have been unavoidable, what is not is the decision to occupy a significant chunk of the limited time available with selections from "The Martyr of Antioch". While I personally am an admirer of this sacred music drama, it is just that, and from 1880 too. The fact that it was semi-staged for a few performances in the 1890s no more makes it an 1890s opera than (eg) a modern concert performance of "Ivanhoe" would turn the latter into a 21st century cantata! The inclusion of the "Martyr" items is all the more annoying in view of the lack of coverage of some bona fide 1890s operas, notably "The Rose of Persia". So one star off for poor judgement in this respect - but still a very worthwhile disc for Sullivanians!"