Search - Leviathan, Sapthuran :: Split

Actually 3.5

M. Thompson | Virginia | 03/29/2006

(4 out of 5 stars)

"This is the first Leviathan work I have purchased. I was pleasantly suprised, and thought Sapthuram was even better than Leviathan; who has recently become a darling of critics. The production sounds awful but I guess thats the point. Can't understand a damn word either growler is spouting but for some reason I don't care. The chord progressions are eerie and repetitive, and again, I dig it. Please excuse my ignorance of this genre of metal. Overall decent music."

Something new to offer

Sodom the Kreator of Destruction | AZ | 06/19/2006

(5 out of 5 stars)

"It is so hard to put into words the brilliance of this release. It harkens back to the days of the classic black metal split albums, Emperor/Enslaved "Hordanes Land", etc. Sapthuran is very basic, yet pure and honest. Leviathan is perfect. If you have never heard this band and are questioning its validity, you are not alone, they are truly "underground". Rest assured that you have never heard a black metal band like Leviathan before, they bring a unique sound to the black metal realm. This release needs to be heard to be believed."

A strong collaboration by US black metal acts

Murat Batmaz | Istanbul, Turkey | 08/20/2006

(3 out of 5 stars)

"Both Leviathan and Sapthuran are respected names among black metal circles in the States, having released two studio albums and some split releases and EP's. Also, both bands are one-man projects where every instrument and vocals are handled by themselves. This is Sapthuran's first attempt at contributing to a split release while Leviathan has previously collaborated with many others including Xasthur.



The first three songs on this split are by Sapthuran and they are completely different from the work of Leviathan. Sapthuran's Patrick Hall opts for a more primal, monolithic and basic style of black metal, which could be likened to that of Darkthrone due to its impossibly raw production. That said, I also hear some Judas Iscariot influence, particularly on the first track "As a Tale Told by the Leaves and Whispered by the Wind", defined by eerie wind effects, raw guitar sounds, and repetitive, drone-like arrangmenents. The vocals are thick and low, far from the screeching black metal shrieks. Some cool guitar harmonies and subtle keyboards are employed for extra texture towards the end and the nine-plus-minute song goes by before know it. On track two, "And Autumn Sheds Its Final Tear", Sapthuran paints a bleak picture of a cold winter night in Scandinavia. Again, there is a good dose of wind effects and folky acoustic guitars that slightly recall Ulver's Kveldssanger and some of the work by Agalloch. This is a peaceful instrumental track before Sapthuran returns to his primitive, mid-paced black metal statement in the form of "Wanderer: Blood in the Forest", except that he injects more melody into this piece with more varied guitar and drum addition. The production is very muddy, making the song almost impossible to grasp upon first listen. However, once you get into it, the epic-size tremelo picking at the end might become your favourite moment on this disc.



The Leviathan songs have better production. The guitars and drums (which are not electronic as on some of their earlier work) are clear and even crisp, especially when compared to Sapthuran. Also, unlike Sapthuran, Leviathan's songs lack any form of structure, as they wander from segment to segment, touching on the most primal and pure forms of US black metal and blending it with weird guitar and synth effects. "Odious Convulsions (They Are Not Worthy of His Name)" is chock full of fierce tremelo picking, tribal drumming, and some weirdly amplified digital screeching sounds. There is even a nice bass solo here. "Fourth Blind Wound" is more melodic but the vocals sound more painful to balance it out. The song is intertwined with a shimmering keyboard patch at the end that brings in more dimension to its evocative flow. "Another Sip of Fear" and "Crushing the Prolapsed Oviducts of Virtue" are among Leviathan's most experimental works, as they weave big, processed vocals and eerie guitar tones atop strange industrial-like beats. The echoic vocals on the latter are especially interesting, given the confines of black metal. The split ends with the brief instrumental "Mesmerism", which is a thick soundscape filled with unusual drum rhythms and warm keyboard melodies.



Even though I was familiar with Leviathan, I had never heard of Sapthuran before, and this split release makes me want to track down their full studio albums."