Search - Smog :: Rain on Lens

Rain on Lens
Smog
Rain on Lens
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (10) - Disc #1

It might not be as bare or as fraught as Smog's earlier works, but from mordant tone alone, Rain on Lens is Bill Callahan's darkest release since 1996's The Doctor Came at Dawn. While it would be disingenuous to claim that...  more »

     
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CD Details

All Artists: Smog
Title: Rain on Lens
Members Wishing: 2
Total Copies: 0
Label: Drag City
Original Release Date: 1/1/2001
Re-Release Date: 9/18/2001
Genres: Alternative Rock, Pop, Rock
Style: Indie & Lo-Fi
Number of Discs: 1
SwapaCD Credits: 1
UPC: 036172918720

Synopsis

Amazon.com
It might not be as bare or as fraught as Smog's earlier works, but from mordant tone alone, Rain on Lens is Bill Callahan's darkest release since 1996's The Doctor Came at Dawn. While it would be disingenuous to claim that Smog's Bill Callahan is a man of ever-changing moods--he has, over the last 10 years, been responsible for some of the most consistently morose works this side of a suicide note--some of his recent records, especially 1999's glorious Knock Knock, have been invested with a certain hearty warmth. Rain on Lens, however, is not one of those records. Reclaiming his seat in the rocking chair, as weak sunlight filters through musty net curtains, Callahan muses, in his deep baritone over the darkest tales. "Song" is a morbid death march in which Callahan drawls, "I'm a bit like the gravedigger / Who wields no shovel / And digs no hole / But leaves the body to stand," while "Natural Decline" finds his Chicago-based backing band sparking up into a kind of deathly motorik rhythm, accompanied by skeletal handclaps and piercing violin sweeps. The Smog aficionados among us will love it, but for a hapless newcomer eager to dip a toe into these murky waters, there are more forgiving starting points. --Louis Pattison

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CD Reviews

Excellent!
chiang fu | nyc | 09/19/2001
(4 out of 5 stars)

"bill callahan aka smog once again out did himself. i think rain on lens is amazing; it is stronger lyrically and musically than dongs of sevotion which was no slouch by any means. rain on lens is much smoother, i immediately got into it. the only drawback is that it is too short. give it a try and listen, i promise you will not be disappointed."
A new career in a new town
DE Kempke | 09/22/2001
(5 out of 5 stars)

"Bill 'Smog' Callahan's 4-tracking days are far behind, and only for the better, it seems. Each album since 1995's Wild Love has offered significant improvement (or at least new wrinkles) on Callahan's dry, stark, and occasionally morbid observational songwriting techniques. The big variation on this album, which perhaps explains the slightly altered billing (as "(smog)"), is that Callahan employs a full band on every song, or more precisely, one band, rather than a rotating crew, as on past albums. This includes Eleventh Dream Day's Rick Rizzo on guitar, US Maple's Pat Samson on drums, and avant-garde oboeist Kyle Bruckmann. The result is perhaps the tightest, most cohesive album Callahan has ever delivered. As always, the outward prickliness of his music only serves to set those frequent moments of instrumental beauty and lyrical clarity ("God does not answer / This type of prayer") in sharper contrast. Another American classic, from a true national treasure."
Pretty much more of the same, less of the different...
Tom | Tampa, FL United States | 09/22/2001
(3 out of 5 stars)

"Smog, like much good music, is a bit of an acquired taste. Bill Callahan's music might prove a little difficult to some because of the impenetrability of its bleakness and despair: the sparest of guitar chords are scratched over minimal ornamentation, and Callhan does a kind of speak-sing comparable to Leonard Cohen, Lou Reed and David Berman (imagine the latter on lithium, narrating about failed relationships and death. If this is your cup of tea, this is the album for you. But if you're one of those who wish Callhan would break from his usual routine (as he has demonstrated capable of doing with a few stellar cuts off Songs and Devotion and Knock Knock), then you might be disappointed. There are a few tracks that step forward to distinguish themselves from the gloom and doom, however; Live Your Life Like...is a beautifully written and captivating song. Song, Revanchism and Short Drive also have a little hop in their step, more of what Callahan needs."