Search - Alban Berg Quartett, Heinrich Schiff, Günther Pichler :: Schubert - String Quintet in C / Alban Berg Quartet · Schiff

The best...very Viennese...very Schubert

P. Verlee | Bangor, ME United States | 10/12/2004

(5 out of 5 stars)

"Although many American concert-goers and players prefer the Emerson with Rostro, after listening to the Berg, I still prefer it. There is more idiomatic playing, with the right amount of rubato. It just seems "right". If you've played the quintet yourself, you'll really appreciate how they get the Viennese sound just right. They're Viennese after all, they should. The intonation and ensemble is just as good as the Emersons. The omission of the exposition repeat is a minor quibble. Go to a concert and I bet they don't include the repeat. If you want to hear more Schubert, hit the repeat button or listen to "Death and the Maiden".



This is the one to get.



"

Best Rendition of Favourite Piece

PrivoDJ | Perth, WA | 01/01/2005

(5 out of 5 stars)

"Whilst a pianist, Schubert's Quintet in C just strikes a chord with me that other music of a solo or orchestral nature simple doesn't. As such I have several recordings of this piece. This was the first one I acquired and from the tentative opening note to the swagger and aplomb of the finale it will draw you in and leave you wishing for more yet realising that more simply isn't humanly possible.



For this recording specifically the first two movements stand out - in spite of the missing repeat in the first. It is not for me to question Schubert's genius but I feel that performances of the first movements of both the Quintet and the D minor Quartet D810 'Death and the Maiden' do not lose anything from the ommission of their exposition repeats and if anything gain a feeling of progression and cohesion (particulary in D810).



There isn't a single phrase or note which feels at all out of place here - such attention to detail for a peace as long and with so many subtley repeated notes is remarkable.



The third and fourth movements whilst not nearly as substantial as the first two are played to perfection. The scherzo has power and an unrivalled intensity of conviction. The proceeding trio is reflective and brooding - the repeated chords leading to the recapitulation are fantastic and never cease to heighten the tension no matter how well I know exactly what is around the corner. The final movement is approached as one critic put it "with just the right balance of swagger and reserve" - although there is one tiny mistake which I only recently picked up at around 2"09 (How's that for pedantry!).



The sound quality is excellent and - as should be the case - won't be a consideration unless you purposely set out to analyse it.



Simply unrivalled.



Not however unchallenged at a very high level and I would also reccommend the Lindsays mid 80's version - unimpeachable sound and marvellous control across the dynamic spectrum: comes packaged with the late quartets; D810 is sublime but that's another story."