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Royal Ballet Gala
Ansermet, Orch of the Royal Opera House
Royal Ballet Gala
Genre: Classical
 
While the bulk of Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of ...  more »

     
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CD Details

All Artists: Ansermet, Orch of the Royal Opera House
Title: Royal Ballet Gala
Members Wishing: 0
Total Copies: 0
Label: Eloquence
Release Date: 5/24/2008
Album Type: Import
Genre: Classical
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 028944299861

Synopsis

Album Description
While the bulk of Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959 with producer Michael Williamson and engineer Kenneth Wilkinson in tow at London's Kingsway Hall. Reviewing this recording, Audiophilia Online Magazine wrote: "This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras. "Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have its merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another. Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in its purely mechanical form. Its delicate sound is heard to great effect during the Nutcracker - originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful."
 

CD Reviews

Good Gala
Michael B. Richman | Portland, Maine USA | 01/10/2010
(4 out of 5 stars)

"As a huge fan of Ernest Ansermet's, I was delighted to discover that "Royal Ballet Gala" was being issued for the first time on CD by Decca Eloquence. More music made available by this great conductor was special, having an opportunity to hear him in a setting other than Geneva with the OSR was, as the commercial says, priceless! Or so I thought. Don't get me wrong, I'm delighted to have purchased this 2CD set, and at such a bargain price from a vendor in the Marketplace, but on initial listenings something is missing. Since I'm not a trained classical musician (just a rabid fan), it's hard for me to put my finger on it, so I'm just going to go with my gut instincts. First, the excerpts from a variety of ballets are shortened -- we get the full compliment of Nutcracker nuggets but only a few pieces each from Sleeping Beauty, Swan Lake, Coppelia, Giselle, Les Sylphides, La Boutique Fantasque and Carnaval. For me, the result is the music lacks any natural flow, or at least the flow that we've all come to expect from years of spinning all those collections of ballet highlights discs. The impression I was left with was akin to a Rolling Stones or U2 greatest hits CD, great songs over many decades but the evolution of the music and the continuity is absent. Also, while the sound and playing of the Orchestra of the Royal Opera House Covent Garden is impeccable, I found an element lacking. Countless critics complain that Ansermet's Suisse Romande was a sub-par outfit, but one thing they did do (which I adore) was play with an unparalleled passion for their beloved conductor. It might just be my ears, but I don't hear that same effort out of the Covent Garden group -- I can hear the responses now, perhaps it is because their sound is so perfect that it is effortless :-). Anyway, just one listener's opinion, I'd be happy to hear yours too."