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Rimsky-Korsakov: Scheherazade/Stravinsky: L'Oiseau De Feu
Nikolai Rimsky-Korsakov, Igor Stravinsky, Myung-Whun Chung
Rimsky-Korsakov: Scheherazade/Stravinsky: L'Oiseau De Feu
Genre: Classical
 
  •  Track Listings (11) - Disc #1


     
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CD Details

All Artists: Nikolai Rimsky-Korsakov, Igor Stravinsky, Myung-Whun Chung, Bastille Opera Orchestra
Title: Rimsky-Korsakov: Scheherazade/Stravinsky: L'Oiseau De Feu
Members Wishing: 0
Total Copies: 0
Label: Dg Imports
Release Date: 10/1/1993
Album Type: Import
Genre: Classical
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 028943781824
 

CD Reviews

Worth it for the well-balanced Scheherazade
Yi-Peng | Singapore | 05/07/2003
(5 out of 5 stars)

"This version of Scheherazade is one of the most well-balanced versions of modern times. Myung-Whun Chung elicits peerless playing from his Bastille forces, and the DG recording is natural, sumptuous and clear. From the stern theme of the Sultan to the serene end of the work, Chung adopts brisk and steady speeds that he sustains in order to build up climaxes.



Chung opens his first movement with a stern Sultan's theme that carries a sense of foreboding. This is answered by Frederic Laroque's sensitive and sinuous violin portrayal of the eponymous heroine herself. Eventually, he impregnates the first movement with a driving force that propels the music ever forward. But he also builds up climaxes by increasing the tempo a little, when the full orchestra enters. There is also a driving force in the story of the Kalendar prince, but this movement is filled with a sense of spontaniety in the confidently-played solos. Chung is one of the few conductors I know of who adopts a fine balance between a sumptuous and romantic languour and a smiling radiance in the slow third movement, and this is achieved with the adoption of a swift, but not rushed, speed. Then in the Finale, Chung gives it a sense of rhythmic spring and races the music to its devastating climax with the shipwreck, before ending the performance quietly and on a serene note.



I know that the Stravinsky fill-up is not entirely appropirate (I generally prefer the Russian Easter Festival Overture to be the standard fill-up for a Scheherazade disc), but I should say that this disc is worth it for the well-balanced modern Scheherazade - DG's best ever version of Scheherazade. And I should also say that this performance shares similar characteristics with Antal Dorati's Mercury Living Presence version with the Minneapolis Symphony Orchestra - another underrated, well-balanced and highly-recommended account of this sparkling Rimsky-Korsakov score."