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Richard Strauss: Don Juan; Don Quixote
Richard [1] Strauss, Andre Previn, Vienna Philharmonic Orchestra
Richard Strauss: Don Juan; Don Quixote
Genre: Classical
 
  •  Track Listings (2) - Disc #1

André Previn is a considerate conductor. He does not impose himself on Strauss, nor does he get in the way of the Vienna Philharmonic. Just as well, for no orchestra knows Strauss's music better than they. Unfortunate...  more »

     
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Amazon.com
André Previn is a considerate conductor. He does not impose himself on Strauss, nor does he get in the way of the Vienna Philharmonic. Just as well, for no orchestra knows Strauss's music better than they. Unfortunately, neither of the accounts on the Telarc disc ranks as a first choice. While the playing is solid throughout Don Juan--except for the curdled top note in the climactic statement of the big horn tune--there is not enough tension in Previn's reading to generate sustained excitement. The conductor tends to let things sag in the lyrical pages and offers a genial but disengaged view of the score's more passionate moments. The soloist in Don Quixote is the VPO's own Franz Bartolomey, and it is he who seems to be leading the performance. Previn again takes a back seat, not so much shaping as assisting in a reading in which the Viennese are the real stars. Not surprisingly, their playing is impressive in its brilliance and tonal refinement, but that alone is not enough to compensate for a rather ordinary realization of the solo part. As fine a musician as Bartolomey is, one misses a real personality here. --Ted Libbey

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CD Reviews

Strauss' two Dons
Paul Bubny | Maplewood, NJ United States | 03/12/2007
(3 out of 5 stars)

"I have to part company with Amazon's "official" reviewer for this CD, at least when it comes to the main work on this disc. Previn and his orchestral soloists produce a "Don Quixote" that is less a showpiece for a superstar cellist and more of a cogently argued symphonic poem. This approach allows one to hear the work as a whole, rather than as a cello concerto, and Previn (and the two soloists) astutely observe nuances that often are glossed over. In its way, it's as fine a performance as the Fournier/Karajan or Tortelier/Kempe, and the playing and Telarc's recorded sound are both detailed and lush. On the other hand, the coupling of "Don Juan" is as unexceptional as "Don Quixote" is exceptional, Previn generating rather low voltage and the famous Vienna brass sounding as though they're having an off day. If you prefer a more evenly-matched coupling of the two "Dons," Reiner (on RCA) and Szell (on Sony) can be recommended with enthusiasm, although the sound is a bit dated in either of these early-stereo reissues."