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Record of Singing 4
Record of Singing
Record of Singing 4
Genres: Special Interest, Pop, Classical
 
  •  Track Listings (19) - Disc #1
  •  Track Listings (22) - Disc #2
  •  Track Listings (22) - Disc #3
  •  Track Listings (20) - Disc #4
  •  Track Listings (21) - Disc #5
  •  Track Listings (20) - Disc #6
  •  Track Listings (17) - Disc #7


     
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CD Details

All Artists: Record of Singing
Title: Record of Singing 4
Members Wishing: 0
Total Copies: 0
Label: Angel Records
Release Date: 2/18/1992
Album Type: Box set
Genres: Special Interest, Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830), Modern, 20th, & 21st Century, Romantic (c.1820-1910)
Number of Discs: 7
SwapaCD Credits: 7
UPC: 077776974125

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CD Reviews

What a feast for the ears this set of 7 discs is!!!
01/25/1999
(5 out of 5 stars)

"These recordings come from 1939 to the End of the 78 Era. Being one of those who grew to love the singers represented in them, cannot be thankful enough to producer and engineer who did such splendid job in bringing us from old 78's and tapes these treasures. Many of today's digital recordings with all its electronic make-up cannot hide modern singers' flaws in technique, breath control and even musicianship. This is more evident when compared with recordings of the past. Try Joan Hammond's rendition (1953) on disc 1 of Korngold's GLÜCK, DAS MIR VERBLIEB; listen to her electric recording, listen to Hammond's long phrases, her exquisite panissimos and the longing well captured by her sorrowful soprano. Compare her rendition with Renée Fleming's (Decca)recent recording and you'll see what I mean: the beautiful voice of Fleming is not enough. Hammond and her kind had that extra dose of involvement with music and words that today's singers are lacking. Or, has anyone sung more beautifully and with more poignant expression Respighi's STORNELLATRICE than Victoria de los Angeles? In the 1.49 minutes allowed to her in the whole set (disc 3)one marvels at that most sumptuous and glorious tones of hers who could beautify everything she touched. Or, even more, has anyone sung more expansively and generously Verdi's D'AMOR SULL'ALI ROSEE than Zinka Milanov? Her glorious floating pianissimos in the last phrases have not equal in today's standards. In fact today we don't even have a Leonora who can measure-up to Milanov's definite rendition. I could go on and on. Just know that the set is organised around 5 schools of singing: Anglo-American, French, German, Russian-Slavonic, Scandinavian and Italian. You will hear Flagstad and Schiotz, Grümmer and Schwarzkopf, Danco and Gorr, Nadezna and Christoff, Tebaldi and Callas. All with a special flavor and with a special item to offer. After having listened to the whole set I closed my eyes and thanked those countries which produced such voices. I also thanked EMI and their team for this colossal enterprise. I often wonder if this mania of mine for past and gone ages of singing and singers is not but nostalgia. But the recordings are there, acoustic and electric, and they reasonably don't lie. Would't it be wonderful that today's singers really sang as they sound on records? They have little or no knowledge or acknowledgement of those upon whose shoulders they stand. This is a collector's set of discs. Don't buy it if you expect the exhuberance (and often flatness)of "DDD" recordings. The 78's and tapes are wonderfully transferred, but sometimes an after-echo and some hiss can be heard. The joy and pleasures derived from continued listening will pay dividends."