Search - Rahsaan Roland Kirk :: Left Hook Right Cross

Left Hook Right Cross
Rahsaan Roland Kirk
Left Hook Right Cross
Genres: Jazz, Pop
 
  •  Track Listings (10) - Disc #1
  •  Track Listings (11) - Disc #2

One of America's more overlooked saxophonists, the late Rahsaan Roland Kirk was distinctive for a number of reasons. He was a blind man who was able to play three reed instruments simultaneously, and his art encompassed tr...  more »

     
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CD Details

All Artists: Rahsaan Roland Kirk
Title: Left Hook Right Cross
Members Wishing: 3
Total Copies: 0
Label: 32. Jazz Records
Release Date: 8/3/1999
Genres: Jazz, Pop
Styles: Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 604123214223

Synopsis

Amazon.com
One of America's more overlooked saxophonists, the late Rahsaan Roland Kirk was distinctive for a number of reasons. He was a blind man who was able to play three reed instruments simultaneously, and his art encompassed traditional jazz, gospel, the avant-garde, ethnic music, and even pop music. Left Hook, Right Cross is a two-CD reissue of his more commercial efforts from 1969 and 1972, Volunteered Slavery and Blacknuss. On Volunteered Slavery Kirk juxtaposes an instrumental version of Stevie Wonder's "My Cherie Amour" with an in-concert tribute to John Coltrane that included interpretations of "Lush Life" and "Bessie's Blues." While Blacknuss is slightly more sterile, Kirk's versions of "Ain't No Sunshine" and "What's Going On/Mercy Mercy Me" display an artist's inner vision that was both compelling and contemporary. --Mitch Meyers
 

CD Reviews

Two great ones
macfawlty | potomac, MD USA | 09/12/2000
(5 out of 5 stars)

"I am just lovin' these re-releases of multiple albums on one CD and the other box sets. They are doing Rahsaan right by avoid "best of's" and just putting out the whole records. These are two great ones with so much variety throughout. Some real cool versions of popular tunes of the day. One or two people might not like the pop tunes, preferring jazz standards, but there wasn't anything standard about Rahsaan. Why do the same jazz standards over and over and over again?? He was one of a kind and my favorite reed player bar none, without exception and that's a bold statement considering his mentors and colleagues."