Search - Edvard Grieg, Andre-Ernest-Modeste Gretry, Ludwig van Beethoven :: The Pupils of Liszt

Edvard Grieg, Andre-Ernest-Modeste Gretry, Ludwig van Beethoven
The Pupils of Liszt
Genres: Dance & Electronic, Special Interest, Classical

Track Listings (18) - Disc #1
1. Småtrold (Puck), lyric piece for piano, Op. 71/3: Puck
2. Dances Villageoises for orchestra: No. 3
3. Piano Sonata No. 18 in E flat major ('Hunt'), Op. 31/3: Scherzo
4. Hungarian Rhapsody, for piano No. 12 in C sharp minor (aka 'No. 2'), S. 244/12 (LW A132/12)
5. Romance for piano in F sharp major (Einfach), Op. 28/2
6. Glanes de Woronince (3), for piano, S. 249 (LW A243): No. 2
7. Rondo for piano in G major, Op. 51/2
8. The Lark (Zhavoronok), transcription for piano after Glinka
9. Liebesträume, notturno for piano No. 2 in E flat major (Seliger Tod: 'Gestorben war ich'), S. 541/2 (LW A103/2)
10. Berceuse for piano in D flat major, Op. 57, CT. 7
11. Mazurka for piano No. 17 in B flat minor, Op. 24/4, CT. 67
12. Mazurka for piano No. 25 in B minor, Op. 33/4, CT. 75
13. Mazurka for piano No. 31 in A flat major, Op. 50/2, CT. 81
14. Mazurka for piano No. 39 in B major, Op. 63/1, CT. 89
15. Mazurka for piano No. 41 in C sharp minor, Op. 63/3, CT. 91
16. Mazurka for piano No. 42 in G major, Op. 67/1, CT. 92
17. Arrangement for piano of Johann Strauss II's 'The Beautiful Blue Danube'
18. Églogue, for piano (Années I/7), S. 160/7 (LW A159/7)
Track Listings (19) - Disc #2
1. Scherzo for piano No. 2 in B flat minor, Op. 31, CT. 198
2. Feux-follets, etude for piano in B flat major (Transcendental Etude No. 5), S. 139/5 (LW A172/5)
3. La Campanella I, etude for piano in B minor (Transcendental Paganini Etude No. 3), S. 140/3 (LW A52/3)
4. Ruins of Athens, incidental music, Op. 113: March
5. A Midsummer Night's Dream, incidental music, Op. 61: No. 1, Scherzo
6. Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56)
7. Waltz for piano No. 5 in A flat major, Op. 42, CT. 211
8. Waltz for piano No. 4 in F major, Op. 34/3, CT. 210
9. Etude for piano No. 24 in C minor, Op. 25/12, CT. 37
10. Scherzo for piano No. 4 in E major, Op. 54, CT. 200
11. Etude for piano, No 6 ('Espenlaub')
12. Concert Polka
13. Ricordanza, etude for piano in A flat major (Transcendental Etude No. 9), S. 139/9 (LW A172/9)
14. Andante for piano in F major ('Andante favori') WoO 57
15. Au bord d'une source (II & III), for piano (Années I/4), S. 160/4 & S. 160/4bis (LW A159/4)
16. Capriccio for piano in B minor, Op. 76/2
17. Petite Valse, for piano, o. Op. ('Teresita')
18. Suite for piano in D minor, Op. 1: Gavotte and Minuet
19. Scherzo for piano in F sharp, Op. 16/2

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CD Details

All Artists: Edvard Grieg, Andre-Ernest-Modeste Gretry, Ludwig van Beethoven, Franz Liszt, Robert Schumann, Mikhail Glinka, Frederic Chopin, Johann II [Junior] Strauss, Felix [1] Mendelssohn, Emil von Sauer, Johannes Brahms, Teresa Carreno, Eugen d' Albert, Mily Balakirev, Moriz Rosenthal, Arthur de Greef, Josef Weiss, Conrad Ansorge, Frederic Lamond
Title: The Pupils of Liszt
Members Wishing: 0
Total Copies: 0
Label: Pearl
Release Date: 1/21/1993
Genres: Dance & Electronic, Special Interest, Classical
Styles: Opera & Classical Vocal, Ballets & Dances, Dances, Polkas, Waltzes, Forms & Genres, Short Forms, Sonatas, Suites, Theatrical, Incidental & Program Music, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Romantic (c.1820-1910)
Number of Discs: 2
SwapaCD Credits: 2
UPC: 727031997221

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CD Reviews

Great Reference for a Great Tradition

BLee | HK | 03/03/2003

(4 out of 5 stars)

"Sauer once gave a list of Liszt's worthy pupils. Many of them are here; but among them, Hofmann said only Sauer was "a real great virtuoso", and he went on to say, "Friedheim was so-so and Lammond didn't impress me..."etc.Sauer is impressing indeed and in terms of musicality and interpretaion, he compared favourably even with Hofmann. Equally interesting was Rosenthal. Unlike Sauer, he lost his power to thunder in his old age, but he made it up in all the nuances and colours whihc are quite well captured here. D'albert was probably the greatest of all Lizst pupils, something we don't want to miss, same for de Greef and indeed all others here.But the transfer here leaves much to be desired, even for those who are not new to (mono) archive records: surface noise is too heavy for general enjoyment. But it is definitely better than Busoni's recording for sure. We don't have much choice, do we?"