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Piano Concertos 1 & 2
Beethoven, Uchida, Sanderling
Piano Concertos 1 & 2
Genre: Classical
 
  •  Track Listings (6) - Disc #1


     
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CD Details

All Artists: Beethoven, Uchida, Sanderling
Title: Piano Concertos 1 & 2
Members Wishing: 0
Total Copies: 0
Label: Polygram Records
Release Date: 4/14/1998
Genre: Classical
Styles: Forms & Genres, Concertos, Historical Periods, Classical (c.1770-1830), Instruments, Keyboard, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 028945446820

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CD Reviews

Performances that are crystalline in their perfection
James Skrydlak | Pella, Iowa | 08/03/1999
(5 out of 5 stars)

"My reaction to this was exactly the opposite of that of the reviewer from Minneapolis; I immediately liked these performances more than Uchida and Sanderling's performances of the third and fourth concerti. We agree, however, that these are wonderful. Both pianist and conductor combine attention to every note with a sense for each concerto's overall structure, and Uchida's pianism is, as always, flawless. The best performances of both pieces that I've heard."
Beaty and comunication withn secure classical discipline
ARMANDO TRIGUEIROS | Azores archipelago, Portugal | 06/23/2000
(5 out of 5 stars)

"Excelente phrasing and dynamics from the orchestra as well as from the piano soloist Uchida, a result of meticolous study os the score. Even with modern instruments the orchestra sounds like a classical orchestra, with very clean textures including the timpani.The perfect equilibrium bethowen a modern piano, modern taste and academical research. Virtuoso playing not only in the fingers, but in mataining during the entire performance the previous conceptions of the work. Magnificent!Uchida here has more drive than in Mozart Piano Concertos."
Performance with a deep thought
ARMANDO TRIGUEIROS | 11/29/1998
(5 out of 5 stars)

"At first hearing, it was not as capivating as her performance of Beethoven's No.3 & 4, which was preceedently issued. But as I put this CD on my player, it gets fascinating. She puts a lot of implications and meanings on every note, but it is not air-tight as her Schubert. Her plaing at Cadenza is, again, just awesome. I prefer this to Argerich's recording on DG. Strongly recommended."