Search - Johann Pachelbel, London Baroque :: Pachelbel: Canon & Gigue; Chamber Works

Johann Pachelbel, London Baroque
Pachelbel: Canon & Gigue; Chamber Works
Genre: Classical

Track Listings (10) - Disc #1
1. Partie a 5 In G Major: Sonatina - Ballet - Sarabande - Aria - Gigue - Finale
2. Musicalische Ergotzung - Triosonaten - Partie I In F Major: Sonata allegro - Allemand - Courant - Ballet - Saraband - Gigg
3. Musicalische Ergotzung - Triosonaten - Partie In C Minor: Sonata - Gavotte - Treza - Aria - Saraband - Gigg
4. Partie a 4 In G Major: Sonatina - Allemande - Gavott - Courant - Aria - Saraband - Gigue - Finale
5. Musicalische Ergotzung - Triosonaten - Part III In B Flat Major: Sonata allegro - Allemand - Courant - Gavotte - Saraband - Gigg
6. Musicalische Ergotzung - Triosonaten - Partie IV E Minor: Adagio - Aria - Courant - Aria - Ciacona
7. Partie a 4 In F Sharp Minor (lamento): Sonata - Allemande - Trezza - Aria presto - Courante - Sarabande - Gigue
8. Musicalische Ergotzung - Triosonaten - Partie V In C Major: Sonata - Aria - Trezz - Ciacona
9. Musicalische Ergotzung - Triosonaten - Partie VI In B Flat Major: Sonata adagio - Aria - Courant - Gavotte - Saraband - Gigg
10. Canon in D & Gigue pour trois violons et basse continue

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CD Details

All Artists: Johann Pachelbel, London Baroque
Title: Pachelbel: Canon & Gigue; Chamber Works
Members Wishing: 0
Total Copies: 0
Label: Harmonia Mundi Fr.
Release Date: 6/20/1995
Album Type: Import
Genre: Classical
Styles: Chamber Music, Historical Periods, Baroque (c.1600-1750)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 794881320424

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CD Reviews

More than just the canon

04/06/2000

(5 out of 5 stars)

"Pachelbel's canon is so lovely that I always figured he must have written other good chamber music. But until this album I'd failed to find it. The trio sonatas and parties are pleasant melodies and make gratifying listening.The album also, inevitably?, contains the canon. But here too there's a reward. The canon was popularized by a Viennese string orchestra that toured the US c. 1973 and played the canon at a 6-7 minute pace, yet today's chamber performers prefer a pace of about 2.5 to 3 minutes. This rendition is nearly 4 minutes and done with a liveliness of tone that reminds us why the canon is fun."