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Mozart: Symphonies 28-41 [United Kingdom]
Wolfgang Amadeus Mozart, Colin Davis, Dresden Staatskapelle
Mozart: Symphonies 28-41 [United Kingdom]
Genre: Classical
 
  •  Track Listings (46) - Disc #1

Sir Colin Davis Celebrates his 80th Birthday on 25 September 2007 and this Set of Late Mozart Symphonies is Released to Mark that Important Event in the Career of One of the Great Mozart Conductors of the Past Fifty Years....  more »

     
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CD Details

All Artists: Wolfgang Amadeus Mozart, Colin Davis, Dresden Staatskapelle
Title: Mozart: Symphonies 28-41 [United Kingdom]
Members Wishing: 0
Total Copies: 0
Label: Decca
Original Release Date: 9/18/2007
Release Date: 9/18/2007
Album Type: Box set, Collector's Edition
Genre: Classical
Styles: Historical Periods, Classical (c.1770-1830), Symphonies
Number of Discs: 5
SwapaCD Credits: 5
UPC: 028947591207

Synopsis

Album Details
Sir Colin Davis Celebrates his 80th Birthday on 25 September 2007 and this Set of Late Mozart Symphonies is Released to Mark that Important Event in the Career of One of the Great Mozart Conductors of the Past Fifty Years. It was During the Early 1950s When Davis Started Conducting Mozart Operas with the Chelsea Opera Group that First Drew Attention to his Genius as a Mozart Conductor, and in 1960 He Conducted Die Zauberflöte at Glynedebourne (Replacing an Indisposed Beecham); During his Tenure as Music Director at the Royal Opera House, Covent Garden (He Succeeded Solti in 1971) his Mozart Performances Drew Huge Critical Acclaim. It was Davis who was at the Forefront of the Berlioz Revival in the 1960s and He Remains the Greatest Living Interpreter of Berlioz to this Day; Davis is also the Greatest Living Interpreter of Tippett and Conducted Many World Premieres of Tippett?s Works.
 

CD Reviews

Masterly
David Saemann | 06/23/2008
(5 out of 5 stars)

"Sir Colin Davis's LPs of Mozart Symphonies were landmarks of the analog era. Encountering his digital recordings of these works for the first time here, I can only say that he has surpassed himself. For one thing, the Staatskapelle Dresden is a better orchestra than he ever has recorded Mozart Symphonies with. The sound engineering, varying over a ten year period, is always full toned and in general is very good. These are definitely performances you would want to live with. I was comparing them with Klemperer's 4 CD set of Mozart Symphonies, and found Davis's superior in every respect. The first thing you will notice is that the sound of the orchestra is loud and robust, much more so than we are accustomed to hearing in Mozart since the period instrument revolution. Davis himself recorded four of the symphonies with a chamber orchestra in the early '60's, but here that is all in the past. Davis also takes a number of repeats that he omitted before, altogether to the better I think. As for individual performances, the Jupiter is a virtual recap of his earlier interpretation with the BBC Symphony, while 29 still echoes his 1958 version with the Sinfonia of London. The performances of 36, 38, and 39 all surpass the earlier versions in their color and sensitivity. One of the marvels in this box is how Davis's tempi are perfectly calibrated to reveal the slightest detail in the orchestration, without ever sacrificing momentum. This is a seminar in Mozart conducting. The new additions to Davis's recorded canon, such as the Haffner, are equally successful. Given the period instrument rebellion against these kinds of performances, this may not be the first place you should turn for these works. But at some point in your search for the true Mozart, you will have to encounter these discs."
Wonderful
G.G. | Tel Aviv Israel | 11/24/2007
(5 out of 5 stars)

"Anyone who heard the marvelous Staatskapelle Dresden knows what a potential this orchestra has to perform Mozart's symphonies. Add Sir Colin Davis and you have a real poetical diamond at your hands.



With great anticipation I heard this collection, and I was blown away. The sound is first class and the playing is so crisp and spacious, you don't want it to end. All of the well known symphonies receive masterly care, which brings out all of the orchestration elements. There are wonderful surprises as well such as the 32nd symphony I heard for the first time.



In one word: wonderful!

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