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Mozart: Symphonies No.25, No.28 & No.29
Wolfgang Amadeus Mozart, Charles Mackerras, Prague Chamber Orchestra
Mozart: Symphonies No.25, No.28 & No.29
Genre: Classical
 
  •  Track Listings (12) - Disc #1

Sir Charles Mackerras has perfect pitch when it comes to Mozart, and his high-voltage 1987 accounts of these pre-Vienna symphonies are stylistically informed and splendidly musical: indeed, the almost operatic treatment of...  more »

     
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CD Details

All Artists: Wolfgang Amadeus Mozart, Charles Mackerras, Prague Chamber Orchestra
Title: Mozart: Symphonies No.25, No.28 & No.29
Members Wishing: 1
Total Copies: 0
Label: Telarc
Release Date: 10/25/1990
Genre: Classical
Styles: Historical Periods, Classical (c.1770-1830), Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 089408016523

Synopsis

Amazon.com
Sir Charles Mackerras has perfect pitch when it comes to Mozart, and his high-voltage 1987 accounts of these pre-Vienna symphonies are stylistically informed and splendidly musical: indeed, the almost operatic treatment of the "little" G Minor Symphony conveys the score's storm-and-stress inspiration with unusual force. The performances are excitingly played, and cleanly too, with the Prague musicians showing excellent ensemble, often at breakneck tempos. The recording, made at the House of Artists, sounds superb. --Ted Libbey

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CD Reviews

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Christopher Smith | Atlanta, Georgia | 03/08/2001
(5 out of 5 stars)

"This CD was my first excursion beyond Mozart's last six symphonies (for those I highly recommend the re-release of Karl Bohm's 2-for-1 budget set on DG), and what a delight it is. All three symphonies were written when Mozart was about 18 years of age, and they have the aura of fully-formed genius about them. They overflow with vitality, and #25 (the only other symphony Mozart wrote in a minor key other than #40) will just explode on you with its urgency and drama. The first movement was actually used in the film "Amadeus," at the beginning when they're rushing the ailing Salieri through the streets of Vienna. Turn up the volume for this one, because MacKerras really lets it rip, and I'd be surprised if you don't recognize it right away. Ditto for the first movement of #29. In fact, all three of these symphonies seem to belong on one recording together, just as Mozart's last three symphonies ideally do, but for different reasons. Here they share a degree of exuberance and willingness for experimentation that makes them instantly appealing. Years ago I had an old EMI budget recording of MacKerras doing Mozart's final two symphonies, and he really held nothing back on those. If anything, these Telarc recordings ratchet up the intensity, and I really like the extent to which the recording engineers do the little things on this CD, like accenting the horns in the final movement of #29, without in any way undermining the singing quality of the Prague string section. This is an inspirational selection, beautifully performed, and recorded as only Telarc can do it. In other words, a must."
Magical mozart by mackerras TELARC CD-80165
Janos Gardonyi | Toronto, Ontario Canada | 11/04/2002
(5 out of 5 stars)

"These are three symphonies of the composer's middle period, written when he was 17 -18! First the tragic No.25 in g- minor,well known to us by now from the film Amadeus (this is the so called "little g-minor symphony",) then the lesser known No.28
charming, witty and courtly and finally the magisterial A -major
No.29, one of Karajan's favourite.
Sir Charles conducts with verve, moves the music forward with well chosen tempi.. with great style for Mozart..small orchestra an advantage for clear textures..great acoustics..Highly recommended..."
Musical Magic
A Minstrel in the Gallery | Portsmouth, New Hampshire USA | 07/24/2006
(5 out of 5 stars)

"When the first dark notes of Symphony No. 25 come alive, I feel as if I have been transported back to the 18th century and Mozart is standing beside me. These symphonies are recognized by many experts as the first real strides Mozart made towards developing his own style and fully displaying the powers of his musical genius. The 25th symphony is quite well-known (it is the first music you hear at the beginning of the film Amadeus) however the 28th and 29th are less well known, but very inventive. The accoustics on this cd are vivid and feature very memorable performances by this famous conductor and orchestra. This music will take your breath away and leave your ears and your soul yearning for more!"