Search - Mount Eerie :: No Flashlight

No Flashlight
Mount Eerie
No Flashlight
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (19) - Disc #1

Having generated cult status with four studio albums on K Records, Washington based songwriter Phil Elverum of The Microphones has made some subtle changes - dispensing the Microphones moniker altogether in favour of 'Moun...  more »

     
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CD Details

All Artists: Mount Eerie
Title: No Flashlight
Members Wishing: 3
Total Copies: 0
Label: Artschool Dropout
Original Release Date: 1/1/2005
Re-Release Date: 9/26/2005
Album Type: Extra tracks, Import
Genres: Alternative Rock, Pop, Rock
Styles: Indie & Lo-Fi, Progressive, Progressive Rock
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 9326425801062, 932642580106

Synopsis

Album Description
Having generated cult status with four studio albums on K Records, Washington based songwriter Phil Elverum of The Microphones has made some subtle changes - dispensing the Microphones moniker altogether in favour of 'Mount Eerie'. No Flashlight marks Mount Eerie's first debut long player. Musically, there are few distinct differences between Elverum's aesthetic as The Microphones and now as Mount Eerie. Through dark, dense arrangements with lonely and introverted vocals, Elverum explores the infinite boundaries of his newly created persona. The bold self produced effort is sure to please fans and sooth unfamiliar hearts. The CD is packaged with four bonus tracks exclusive to the Australian release. Art School Dropout. 2005.

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CD Reviews

Worth every penny...
Greg Locke | Fort Wayne, IN USA | 12/21/2005
(5 out of 5 stars)

"Once in a pink moon I become aware of an artists work that affects me in such a way that all of my personal creative ambitions are left flat; Phil Elvrum, three years ago, put all my inadequacies into perspective. (Then recording under his "The Microphones" moniker) Elvrum created a world of his own with The Glow Pt. 2, only to outdo himself a little over a year later with the release of (one of my all-time favorite albums, as well as the first album I reviewed for Whatzup) his Mount Eerie LP.

The Glow Pt. 2 was a long album comprised of twenty tracks full of immeasurable ideas-while Mount Eerie was the opposite. More or less a focused, continuous musical work, Mount Eerie was an oddly cerebral rock opera of sorts about both worldly and personal discovery. Eerie received mixed reviews and thus, Elvrum slowed his productivity, releasing only a live album and an online EP in the last two years. After changing over his artistic handle to Mount Eerie, Elvrum (also changed, now spelled Elverum) finally released his follow up album, No Flashlight.

Available only through his recently established P.W. Elverum and Sun record label as a LP/CD combo pack, Flashlight's presentation is the work of an art school over-achiever, featuring not only beautiful white vinyl, but a six by five foot fold out poster that doubles as an extensive set of liner notes. In the text, Elverum not only explains each song in detail, but contributes photos, poems, lyrics and drawings that he believes enhance the overall Flashlight experience-thus leaving anyone who attempts to review the album with almost too much information, and anyone who buys the album with no reason to read reviews. Elverum's liners are an interesting read that offer a peak into a true musical eccentric that for the first time in his career, seems to inhabit the common desire to be fully understood by his listeners.

The albums opener "I Know No One," works as an introduction to Elverum's "story of the night," singing "what does Mount Eerie mean? I've tried to explain, through difficult song," over washed out accordions, gently plucked nylon string guitars and a slew of rhythmic percussion in classic Eerie style. As the story begins, Elverum opens with the great line, "your love swells and pounds me, and I know nothing now that I know you. My face goes blank, my eyes go open gates;" it's clear right off that Elverum's focus, while once that of musical textures, has made room for his newfound penchant for high lyrical quality and storytelling grace.

So as not to ruin the surprises, I'll leave the details of Elverum's latest riddle a mystery. As quickly as his cryptic cuts slip in, so do Elverum's customary musical flourishments. Elverum's production style would be best described as a "left of the dial" version of current hot-shot Jon Brion, with Phil playing an uncountable number of instruments, many of which you aren't likely to hear on your everyday rock album. Those familiar with The Microphones past work will unquestionably be contented with No Flashlight while those who aren't should find it a good preparatory listen for Elverum's quickly budding catalog.

Sounding as if it should have fallen somewhere between The Glow Pt. 2 and Mount Eerie, No Flashlight incorporates the general format and approach of The Glow while continuing on with the earthy progressive direction of Eerie. As much as I loved The Microphones and Elvrum, Elverum's Mount Eerie seems to be working out just fine. With two more releases on the horizon before the end of the year, things should be getting interesting for P.W. and Sun, and certainly exciting for his followers, few as they may become. Next up, Eleven Old Songs of Mount Eerie as well as Mount Eerie's long labored Singers project.

"
Get it.
Libre007 | Oregon | 10/18/2005
(5 out of 5 stars)

"Phil Elverum Is amazing...And this album is one of those that only come around once in a while. Just sit down, listen and let it wash over you."
Puzzling
areaman666 | Portland, OR USA | 11/26/2005
(3 out of 5 stars)

"In my opinion Phil Elvrum has never been able to top the Mt. Eerie album. On this release Phil has given up on form and melody almost completely in favor of mumbling obscure cryptic poetry and meandering musical sludge. The lyrics & liner notes suggest he feels isolated and completely misunderstood by his audience. The production is still interstingly avant garde, and the lyrics emerge from deep within, exposing his inner demons for all to see. No Flashlight is most likely to appeal to Daniel Johnston fans seeking outsider art created by a truly haunted soul. If you buy the vinyl record you get the CD for free and the foldout artwork and crazy renderings are a sight to behold!"