Search - John Wolf Brennan, Gene Coleman, Thomas Kj Mejer :: Momentum 4: Rising Fall

Momentum 4: Rising Fall
John Wolf Brennan, Gene Coleman, Thomas Kj Mejer
Momentum 4: Rising Fall
Genres: Jazz, Pop, Classical
 
  •  Track Listings (14) - Disc #1


     
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CD Details

All Artists: John Wolf Brennan, Gene Coleman, Thomas Kj Mejer
Title: Momentum 4: Rising Fall
Members Wishing: 0
Total Copies: 0
Label: Leo Records UK
Original Release Date: 1/1/2005
Re-Release Date: 11/8/2005
Genres: Jazz, Pop, Classical
Styles: Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 5024792044023, 669910400968, 502479204402
 

CD Reviews

Masterful throughout
Beatrice Wolf | Weggis, Vierwaldstättersee | 07/01/2006
(5 out of 5 stars)

"Pianist John Wolf Brennan brings together his Momentum project for the fourth time. The biggest personnel change is the absence of drummer Christian Wolfarth, a fixture on all three previous releases from this project. Bass clarinetist Gene Coleman is the only returning collaborator here. Mejer and Unternährer are newcomers to the ensemble.



This time around, the line-up is horn heavy, especially in the lower regions. Combined with Brennan`s prepared piano, the low-pitches horns make for a decidedly spectral excursion.



The album consists of 14 pieces, with none longer than seven minutes and a few under two. The short, thematically charged compositions tend to focus on particular improvisational challenges. For example, the low moaning horns and sporadic pianism of the haunting "Boat Rising" are completely eradicated by the quicksilver assault of "Give it back To Me". Building in less than two minutes to a frenzied, but tight collective improvisation full of caterwauling horns, the piece is a complete contrast to the previous tune, as much as it is to the pensive meditation, "Hands On", which immediately follows it.



An so the album goes, impressionistic, breathy call and response, ghostly multiphonics, scrapped piano strings and delicate interplay wedged in between sputters and squeals of low-pitched reeds, the braying of deep brass and pounded tone clusters on the keys. Brennan and his bandmates are masterful throughout, as each piece acts as a meditation on a particular theme. The depth of the ensemble`s interaction alone merits repeated listening of these improvisations. Considering the relative intensity of the quartet`s more fervent explorations, this is not an album for the faint of heart.



Troy Collins

Cadence Magazine, New York, USA

Vol. 32 No. 5 May 2006"