Search - Midnight Oil :: Diesel & Dust (Bonus Dvd) (Spec) (Pal0)

Diesel & Dust (Bonus Dvd) (Spec) (Pal0)
Midnight Oil
Diesel & Dust (Bonus Dvd) (Spec) (Pal0)
Genres: Alternative Rock, International Music, Pop, Rock, Classic Rock
 
  •  Track Listings (11) - Disc #1


     
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CD Details

All Artists: Midnight Oil
Title: Diesel & Dust (Bonus Dvd) (Spec) (Pal0)
Members Wishing: 1
Total Copies: 0
Label: Sony/Bmg Int'l
Release Date: 3/4/2008
Album Type: Import, Special Edition
Genres: Alternative Rock, International Music, Pop, Rock, Classic Rock
Styles: Australia & New Zealand, Album-Oriented Rock (AOR)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 886971765328

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CD Reviews

Yes, it's worth getting!
Michael A. Miller | Houston, TX | 04/03/2008
(5 out of 5 stars)

"You never know for sure with reissues, but I was pleasantly surprised. The DVD is the 'Black Fella / White Fella' tour documentary/concert which was only previously available on VHS (and that was of course, many many years ago...) A must for M.O. fans. The CD includes one bonus track, the hard-to-find outtake 'Gunbarrel Highway.' The set is a little pricey, but for me it was certainly worth it. Hopefully, they'll reissue 'Blue Sky Mine' with DVD of the 1990 Exxon protest show in NYC...



Keep wishing for a return of the Oils, maybe someday..."
Hasn't Gathered Any Dust After 20 Years
Thomas Magnum | NJ, USA | 05/08/2008
(5 out of 5 stars)

"Midnight Oil are one of the most politically conscious bands in rock, singing about the political climate in their native Australia. In fact, lead singer Peter Garrett was an elected member of his country's government. Diesel & Dust was their breakthrough album in the US and it spurred on by the driving single and lead track "Beds Are Burning". That song, propelled by its powerful horn section, is about the plight of the Aboriginal people of their homeland. The other nine tracks all take on some sort of political bent. They show that one can make good music, make a statement and not come off as preachy or pretentious. "Put Down That Weapon" is a track that simmers along while "Dreamworld" is a frenetic rocker. "Whoah" & "Bullroarer" are calls for change. The album's centerpiece and one of the best songs to be released in the last twenty years is "The Dead Heart". The song has a majestical sound with kettledrums pounding through and a riveting doo-doo chorus, it is an unforgettable and powerful song. Midnight Oil sings about subjects that we in America may not fully understand, but they convey the true power that music can be, because you find yourself pausing to think and hoping for change."
No Holding Back
Dave_42 | Australia | 10/29/2009
(5 out of 5 stars)

""Diesel and Dust" is the sixth album from Midnight Oil, and the one which probably gave them their greatest international exposure. The album's lyrics and sound were inspired by their Blackfella/Whitefella concert tour of aboriginal settlements in 1986. The album is powerful, and though its subject matter is rooted in Australian society, this is an album which can be appreciated wherever one lives. Originally released in August of 1987, it has been re-released 21 years later including the song "Gunbarrel Highway" which failed to make it on the U.S. and Canadian releases of the album. It also contains a DVD documentary of their Blackfella/Whitefella tour.



"Beds Are Burning" opens the album with a strong political, social, and musical statement. The song refers to giving land back to the Pintupi, one of the last people to be brought into settlements, and though it was inspired by a specific situation, the lyrics speak to the subject of injustice and the righting of wrongs. "Put Down That Weapon" is a song which discusses keeping nuclear weapons out of Australian territory, even if they are on ships from other countries, a step which New Zealand had taken in 1985. "Dreamworld" is another wonderful piece, looking at the trade-off between environment and business which comes from destroying natural lands to make money. "Arctic World" is not quite up to the level of the preceding pieces, but it isn't horrible either. It picks up on the theme of Dreamworld, and perhaps how it applies to Antarctica. "Warakurna" is a step back in the right direction musically as they take up the Aboriginal cause again. Lyrics like "White law could be wrong, Black law must be strong" and "This land must change or land must burn" speak to the need of making the culture more inclusive. It is a nice closer to the first half of the album.



"The Dead Heart" opens the second half with the longest piece on the album. And it picks up right where "Warakurna" left off in terms of subject matter. It was released as a single prior to the release of the album, and is one of the best songs on the album. "Whoah" is next, and is a bit more of a spiritual piece, contrasting with some more secular ideas. "Bullroarer" refers to an Aboriginal device which was used for communication over a long distance with its distinctive sound, and the lyrics bring in some wonderful imagery about this desert continent. "Sell My Soul" is about the conflict between cultures, and more specifically about the Lost Generation. "Sometimes" is another strong track, with a never quit lyric, and music to match. "Gunbarrel Highway" refers to a road in New South Wales and the lyrics convey a sense of the divide between cultures as one drives away from the cities and into the desert.



The "Blackfella/Whitefella" documentary is a very nice look into the inspiration for the "Diesel and Dust". It is not a detailed fact-oriented documentary, but instead it lets the images and the music tell the story. The tour consisted of Midnight Oil and the Warumpi Band, and while a couple of the songs for this album were written prior to the tour, "The Dead Heart", and "Beds are Burning", the majority of this album was inspired by the tour. The theme for both the tour and the album appears to be the meeting of two diverse ideas: Black and White; Aboriginal culture and Western culture; nature and civilization. While often these ideas are pitted in opposition to each other, it doesn't have to be that way, and that is evident from the documentary as well as from the lyrics. Aboriginal culture doesn't have to be destroyed to make room for Western ideas; instead its survival enriches all of Australia.



This is perhaps their best album, and well worth listening to regardless of where it ranks. The group consists of: Peter Garrett (vocals); Robert Hirst (drums); James Moginie (guitar, keyboards); Martin Rotsey (guitar); and Peter Gifford (bass).

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