Search - Mariana Montalvo :: Piel De Aceituna

Piel De Aceituna
Mariana Montalvo
Piel De Aceituna
Genres: International Music, Pop, Broadway & Vocalists, Latin Music
 
  •  Track Listings (11) - Disc #1

It's perhaps fitting that a Chilean exile living in Paris for thirty years should paint such a sweeping musical picture of all of Latin America. Mariana Montalvo, whose sensuous voice invites comparisons to the legendary A...  more »

     
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CD Details

All Artists: Mariana Montalvo
Title: Piel De Aceituna
Members Wishing: 0
Total Copies: 0
Label: World Village USA
Release Date: 9/14/2004
Album Type: Import
Genres: International Music, Pop, Broadway & Vocalists, Latin Music
Styles: South & Central America, Chile, Vocal Pop, Latin Pop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 713746803124, 3307518168428, 3700368435885

Synopsis

Amazon.com
It's perhaps fitting that a Chilean exile living in Paris for thirty years should paint such a sweeping musical picture of all of Latin America. Mariana Montalvo, whose sensuous voice invites comparisons to the legendary Argentinian Mercedes Sosa, stays firmly within the traditions of nuevo cancion--a Latin American musical style founded in part by Sosa in the 1960s that fused indigenous South American music and poetry in a brilliantly varied, lyrical style. But on Piel De Aceituna, Montalvo shows just how sprawling the nuevo cancion style can be--jumping from the reggae of "Sud Americano" to a gorgeous vocal duet with the Congolese singer Lokua Kanza on "Encuentro" that hints at Cuban son to a reworking of Frenchman Jacques Brel's "La Cancion de los Amantes," complete with accordion and violin. Through it all, Montalvo's voice is enthralling, breathing life into adaptations of Latin American poetry and to her own magical, passionate songs. --Ezra Gale

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CD Reviews

Social conscious meets Paris style vocals
WorldDiscoveries.Net | Petaluma, California | 11/18/2004
(5 out of 5 stars)

"Mariana Montalvo, like the singer/songwriter Victor Jara, was part of the Nueva Cancion movement of the 1960s and 1970s. Like so many of her contemporaries, she left Chile when the Pinochet dictatorship took over, settling in Paris where a smoky ballad style already had an influence on her vocal style.

 Mix the serious social conscience of the Nueva Cancion with the style of Paris made famous by Edith Piaf and others, and you get a type of singing and songwriting totally unsuitable for dancing or raucous behavior - hence my love for the rousing title cut.

"