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Very B.O. The Manhattan Brothers
Manhattan Brothers
Very B.O. The Manhattan Brothers
Genres: International Music, Jazz, Pop
 
  •  Track Listings (20) - Disc #1

From the late 1940s through the 1950s, the Manhattan Brothers were the biggest name in black South African music. Taking their cue from the swinging harmonies of America's Inkspots and Mills Brothers, they sang in both Z...  more »

     
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CD Details

All Artists: Manhattan Brothers
Title: Very B.O. The Manhattan Brothers
Members Wishing: 0
Total Copies: 0
Label: Stern's Africa
Release Date: 5/30/2000
Genres: International Music, Jazz, Pop
Style: Africa
Number of Discs: 1
SwapaCD Credits: 1
UPC: 740042301320

Synopsis

Amazon.com
From the late 1940s through the 1950s, the Manhattan Brothers were the biggest name in black South African music. Taking their cue from the swinging harmonies of America's Inkspots and Mills Brothers, they sang in both Zulu and English, the hippest thing around. While primarily male, they did include women at times, including a very young Miriam Makeba, whose vocal on "Baby Ntsoare" is a joy. But all the tracks here are extraordinary. The voices blend as if born to do so (and in a way they were, because all four members grew up together), the small band swings as heavily as Dorsey or Goodman, and the material--much of it self- composed--is strong, the pop sound of its day; you'll be hard-pressed to erase "Be My Guest" from your head. If you think this kind of music was uniquely American, though, this CD will make you think again. --Chris Nickson
 

CD Reviews

Be Their Guest
Michael Sean | Seattle, WA - US | 11/06/2000
(5 out of 5 stars)

"The Manhattan Brothers were one of the first South African groups to achieve superstar status, and greatly influenced the fruitful township music scene. This remarkable collection gathers together 20 fabulous songs transferred from shellac 78 rpm discs recorded between 1948 - 1959. Before this CD, their incredible music was next to impossible to find outside of a random song or two on various compilations (such as Music Club's outstanding "Township Jazz 'N Jive" collection). The quartet employed the finest musicians to accompany them, and their backing bands, both in the studio and on stage, produced such South African stars as Hugh Masekela, Dollar Brand (a.k.a. Abdullah Ibrahim), and Kippie Moeketsi. A young Miriam Makeba also got her start singing with the quartet, before moving on to work with the Skylarks and then eventually international fame as a solo artist. She can be heard on four songs in this collection, one of which, "Laku Tshoni 'Ilanga," was released in an English version to the US market as "Lovely Lies" and became the first South African recording to enter the Billboard Top 100 (it reached number 45 in 1956). While only a few of the selections are sung in English, the entirety of the album's irresistable joy comes across regardless of your native tongue. Excellent liner notes lay out their entire legacy, from their earliest days and through the various lineups to their eventual exile and their recent reunion. Put it on and prepare to smile."
If I could give seven stars, I would...!
Joe Sixpack -- Slipcue.com | ...in Middle America | 10/27/2001
(5 out of 5 stars)

"A stunning, joyous set of doo wop-like "jive" vocals from some of South Africa's greatest post-WWII musicians. The Manhattan Brothers were one of the first groups to benefit from a booming postwar economy that brought black South Africans into the cities in large numbers, making their sort of pop success possible. Singing in Shona, Xhosa, Zulu and English, the Manhattan Brothers mixed sleek swing vocals with proto-doo wop and jubilee gospel, and were the group that set the standard for the many vocal groups that came in their wake, including Miriam Makeba's late-'50s ensemble, The Skylarks. Makeba herself first came to prominence as a soloist in the Manhattan Brothers ensemble, and appears on several of these tracks. The feel is playful and glorious, with some of the lushest, most swinging vocals you're ever likely to hear on disc. This is a great record - a highly welcomed addition to the all-too-small pool of similar records that uncover this forgotten style of American-influenced South African pop. HIGHLY recommended!"