Search - Liszt, Nosikova :: Liszt: Années de Pèlerinage: Troisème Année

Liszt, Nosikova
Liszt: Années de Pèlerinage: Troisème Année
Genre: Classical

Track Listings (8) - Disc #1
1. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Ang?lus! Pri?re aux anges gardiens
2. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Aux cypr?s de la Villa d'Este I: Thr?nodie
3. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Aux cypr?s de la Villa d'Este II: Thr?nodie
4. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Les jeux d'eau ? la Villa d'Este
5. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Sunt lacrymae rerum / En mode hongrois
6. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Marche fun?bre
7. Ann?es de p?lerinage, 3rd Year, suite for piano, S. 163 (LW A283): Sursum corda
8. Polonaise, for piano No.2 in E major, S. 223/2 (LW A171/2)

CD Details

All Artists: Liszt, Nosikova
Title: Liszt: Années de Pèlerinage: Troisème Année
Members Wishing: 0
Total Copies: 0
Label: Centaur
Original Release Date: 1/1/2006
Re-Release Date: 2/28/2006
Album Type: Import
Genre: Classical
Styles: Chamber Music, Forms & Genres, Suites, Historical Periods, Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 044747273426

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CD Reviews

HAUNTINGLY VIVID LISZT

Melvyn M. Sobel | Freeport (Long Island), New York | 01/18/2008

(5 out of 5 stars)

"Potent, nuanced, fluid, sensitive and magical are adjectives appropriate, certainly enough, to describe Ksenia Nosikova's passage through Liszt's nearly metaphysical Annees III; but more than merely these interpretive characteristics is her astonishing absorption in the music, in the rendering of its exquisitely distilled ideas, and in the total willingness to surrender and fearlessly share its soulful, meditative beauty, and her own, with the listener. Prepare to be mesmerized: this is gorgeous pianism at its most compelling, dark, atmospheric, and with a technique generously dynamic and profoundly introspective, simultaneously. Whether she captivates in a dazzlingly liquid "Les jeux d'eau a la Villa d' Este," entreats in a fetching "Angelus," powerfully queries in the dense "Marche funebre," or, in encore, communicates the exciting bi-polarity of the shifting Polonaise in E major, Nosikova rivets, utterly flawless and authoritative, her muse of the highest imaginative Lisztian domain.

[Running time: 63:51]

"