Search - Linda Ronstadt :: We Ran

We Ran
Linda Ronstadt
We Ran
Genres: Country, Folk, Pop, Rock, Broadway & Vocalists
 
  •  Track Listings (11) - Disc #1

Thirty albums into her career, not much uncharted territory remains for Linda Ronstadt, who has shown herself willing, if not always able, to work in any genre. We Ran is a lush but earthy reexamination of material by Bruc...  more »

      
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CD Details

All Artists: Linda Ronstadt
Title: We Ran
Members Wishing: 0
Total Copies: 0
Label: Elektra / Wea
Original Release Date: 6/23/1998
Release Date: 6/23/1998
Genres: Country, Folk, Pop, Rock, Broadway & Vocalists
Styles: Classic Country, Traditional Folk, Contemporary Folk, Adult Contemporary, Soft Rock, Oldies, Vocal Pop, Folk Rock, Country Rock, Traditional Vocal Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 075596220620

Synopsis

Amazon.com
Thirty albums into her career, not much uncharted territory remains for Linda Ronstadt, who has shown herself willing, if not always able, to work in any genre. We Ran is a lush but earthy reexamination of material by Bruce Springsteen, John Hiatt, and Doc Pomus. If matching her with Dylan's "Tom Thumb's Blues" sounds like an exercise in futility, Waddy Wachtel's tremolo guitar, the Booker T.-like soulfulness of the band, and Ronstadt's sweetly weary voice suggest otherwise. Primary producer Glyn Johns (the Rolling Stones, the Who) makes smart choices--though George Massenburg and Wachtel turn "I Go to Pieces" into a breath-fest--and the musicianship of Bernie Leadon and the Heartbreakers keeps pace with Ronstadt's serene vocal ease. --Roy Kasten

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Member CD Reviews

Rebecca B. from FRANKLIN, WV
Reviewed on 11/20/2006...
If you like Linda Ronstadt, this is a great CD!
0 of 1 member(s) found this review helpful.

CD Reviews

Underrated
gemini_j | Canada | 08/23/2001
(5 out of 5 stars)

"Linda Ronstadt's 1998 release is a snugly wrapped package of well-chosen rootsy material--Dylan, Alan Toussaint, Doc Pomus, two by John Hiatt--well-sung by Linda, who shows no diminution of powers after all her musical peregrinations of the last 2 decades. This is simply the kind of music she sings best and producer Glyn Johns has expertly captured her in a no-frills setting. One might say with some justification that this is just another L.A. session, but at the same time this is Ronstadt's domain, and what impresses is the sympathetic, punchy support she receives from ace guitarists Bernie Leadon and especially Waddy Watchel, who even contributes two originals, "Damage" and the lovely "I Go To Pieces." This last is the album's highlight--a delicate, hushed performance of great musicality. WE RAN ends sweetly with the large Rondstadt clan singing and swaying together to the gentle Mexican strains of "Dreams Of The San Joaquin"."
Ronstadt is once again the queen of "torch & twang"
MartinB@aol.com | New York, NY | 07/29/1998
(4 out of 5 stars)

""We Ran" is not just a return to Linda Ronstadt's classic LA-flavored country-folk rock but a terrific album with great songs and superb musicianship centered around her brilliant vocals. Producer Glyn Johns - plus collaborators Waddy Wachtel, George Massenburg and Peter Asher - have wisely relied on great songwriters (John Hiatt, Bob Dylan, Bruce Springsteen) and a production which updates the "Heart Like A Wheel" sound (virtually copied by most Nashville female singers) but gives the disc a classic feel. The cream of LA musicians are on this album, including Russ Kunkel, Leland Sklar, Don Grolnick, Carlos Vega, Waddy Wachtel (who contributes two wonderful songs), Bernie Leadon and Mike Campbell but the spotlight is on La Ronstadt. Its been a long time since her voice gave me goosebumps and made me run across the room to turn up the volume. But listen to how she holds her notes on the title track or the full-tilt gospel wail on "Ruler of! My Heart" (produced by Asher in the stytle of "Dark Side of the Street" from "Wheel") or the passionate heartbreak of "Cry "Til My Tears Run Dry." Although I skip over "Give Me A Reason" (too light for this otherwise first-rate collection) and she stumbles a bit over the thick syllables of "Tom Thumb's Blues" (but so does Dylan), this CD offers additional rewards on further playing (pay attention to the way her voice slides effortlessly to the top of her range, to the maturity in her phrasings or the shimmering acoustic guitar sounds) In the lovely final track, "Dreams of the San Joaquin," Ronstadt is backed up by (count 'em) six members of her family and family. It's obvious she's comfortable with her musical roots and with herself and "We Ran" is superb proof."