Search - Lil Ed & The Blues Imperials :: Heads Up

Heads Up
Lil Ed & The Blues Imperials
Heads Up
Genres: Blues, Pop
 
  •  Track Listings (13) - Disc #1

When it comes time to rock the house with uninhibited blues power, Chicago slide guitar sensation Lil' Ed Williams and his boisterous band, the Blues Imperials, have few equals. Lil' Ed's unrelentingly energetic approach, ...  more »

     
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CD Details

All Artists: Lil Ed & The Blues Imperials
Title: Heads Up
Members Wishing: 1
Total Copies: 0
Label: Alligator Records
Original Release Date: 1/1/2002
Re-Release Date: 7/9/2002
Genres: Blues, Pop
Styles: Chicago Blues, Electric Blues, Modern Blues
Number of Discs: 1
SwapaCD Credits: 1
UPC: 014551488620

Synopsis

Amazon.com
When it comes time to rock the house with uninhibited blues power, Chicago slide guitar sensation Lil' Ed Williams and his boisterous band, the Blues Imperials, have few equals. Lil' Ed's unrelentingly energetic approach, modeled in great part on that of his uncle, the late J.B. Hutto, makes the songs secondary to the insistent rhythm and propulsive power of the music. And the power, fueled by Lil' Ed's slashing slide guitar, is considerable as the band races through a solid set of extroverted blues party music in the style of another great houserocker, Hound Dog Taylor. A trio of tracks, including the fast-paced "My Mind Is Gone," feature the group's three-guitar touring lineup, but Lil' Ed, ably assisted by longtime fretmate Mike Garrett, showers more than enough guitar sparks elsewhere to keep the music burning brightly. Lil' Ed's sizzling slide work remains the group's calling card, but it is the complex interplay of the tightly knit band, anchored by Williams's bassist brother James "Pookie" Young, underneath his solos that makes it all work. Together, they fashion a raw and focused electrifying sound that has attracted legions of fans to their live shows, a fact musically acknowledged via the brief but celebratory "Ed Heads' Boogie" tribute. --Michael Point

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CD Reviews

Great Modern Blues
Derrick Peterman | San Jose, CA United States | 04/10/2005
(5 out of 5 stars)

"Call me old fashioned, opinionated, out of touch, whatever, but if you ask me, 95% of the blues worth listening was recorded before 1975. I am pleased to say this effort by Lil' Ed and the Blues Imperials is firmly within the remaining 5%.



Lil' Ed simply has a great deep, soulfull voice for blues, and the band really cooks. The song writing is mostly tight and the lyrics are definitely the sort of every day slices of life that we've come to expect from the blues. It's modern blues, but none of the pretensions of modern blues artists that just don't move me (Robert Cray, Keb Mo), it's just great art.



Since they don't let me give it 4 1/2 stars, heck, I'll round it up to five.



And if you like this, check out "Chicken, Gravy and Biscuits" by these guys."
WOW
Derrick Peterman | 09/16/2003
(5 out of 5 stars)

"I'm a life long blues fan, and I've followed Lil Ed since What you see is what you get, but this is definitely his best disc. His vocals are so emotional you feel like you're right there in the studio when he laughs and he cries. The band has never been tighter, bringing in some of that fire from their live show. The third guitarist, what a concept, fits in perfectly, allowing the band to just feel BIG! I'm on my fourth copy"
Best Party Band
Paul F. Ferguson | Brockport, New York USA | 08/16/2002
(5 out of 5 stars)

"Okay. So I've become an "Ed Head" since hearing "Get Wild" a few years back. Lil' Ed may not be the most skilled slide guitarist or the most original, but he sure packs a lot of energy. The next best thing to being at one of his performances, a pleasure I have not yet had, has got to be listening to one of his CDs. "Heads Up" may not be much of an advance beyond "Get Wild," but it doesn't slack off. He plays a couple of Chuck Berry riffs in Woman in the Castle, and channels Elmore James and his uncle J.B. Hutto in several other cuts. He also plays an interesting variation on the Charles Brown classic, Black Night. As the kids used to say on American Bandstand back in the fifties, great beat, good to dance to."