Search - Kenny Ball :: Kenny Ball - Greatest Hits

Kenny Ball
Kenny Ball - Greatest Hits
Genres: Jazz, Pop

Track Listings (20) - Disc #1
1. Samantha - Kenny Ball, Porter, Cole
2. I Still Love You - Kenny Ball, Contet
3. Someday (You'll Be Sorry) - Kenny Ball, Armstrong, Louis
4. Midnight in Moscow - Kenny Ball, Soloviev-Sedoy, V.
5. My Mother's Eyes - Kenny Ball, Baer, Abel
6. March of the Siamese Children - Kenny Ball, Hammerstein, Oscar
7. The The Green Leaves of Summer - Kenny Ball, Tiomkin, Dimitri
8. So Do I - Kenny Ball, Grant
9. The The Pay Off - Kenny Ball, Bechet
10. Sukiyaki - Kenny Ball, Nakamura, Hachidai
11. Casablanca - Kenny Ball, Sakelardis
12. Rondo - Kenny Ball, Mozart, Wolfgang Am
13. Acapulco 1922 - Kenny Ball, Allan
14. Hello Dolly - Kenny Ball, Herman, Jerry
15. When I'm Sixty Four - Kenny Ball, Lennon, John
16. Heartaches - Kenny Ball, Hoffman, Al
17. Margie - Kenny Ball, Conrad, Con
18. Caterina - Kenny Ball, Bower, Bugs
19. Nina Never Knew - Kenny Ball, Alter, Louis
20. I Wanna Be Like You - Kenny Ball, Sherman, Richard [2

Tracks Include: I Love You Samantha, Midnight in Moscow, Casablanca, Rondo, Hello Dolly, Nina Never Knew, Casablanca and More.

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CD Details

All Artists: Kenny Ball
Title: Kenny Ball - Greatest Hits
Members Wishing: 0
Total Copies: 1
Label: Castle Pulse
Release Date: 2/5/1998
Album Type: Import
Genres: Jazz, Pop
Styles: Traditional Jazz & Ragtime, Easy Listening
Number of Discs: 1
SwapaCD Credits: 1

Synopsis

Album Details

Tracks Include: I Love You Samantha, Midnight in Moscow, Casablanca, Rondo, Hello Dolly, Nina Never Knew, Casablanca and More.

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CD Reviews

Great dixieland playing from British group.

D. R. Schryer | Poquoson, VA United States | 09/29/2000

(5 out of 5 stars)

"Kenny Ball and His Jazzmen are a British group and they are very good. They've been playing dixieland music (called "trad" in Britain) for more than 25 years, so they've got a lot of experience with this music despite their foreign roots. Their biggest hit is "Midnight in Moscow" which was a hit in the U.S. back in the 1970s, but most of their other pieces are quite good too. Personally, I prefer this British group to most American groups -- including groups based in New Orleans -- because they play very well together and do more ensemble playing and play shorter solos than is typical in the U.S. Frankly, I generally find the extended solos typically found in New Orleans dixieland boring after a while. If you like good ensemble dixieland with well-played -- but short -- solos give this CD a try."