Search - Jussi Bjorling :: At Carnegie Hall

Jussi Bjorling
At Carnegie Hall
Genres: Pop, Classical

Track Listings (21) - Disc #1
1. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Ingemisco
2. An die Leier ('Ich will von Atreus S?hnen'), song for voice & piano, D737 (Op. 56/2)
3. Die Forelle ('In einem B?chlein helle'), song for voice & piano, D. 550 (Op. 32)
4. Fr?hlingsglaube ('Die Linden L?fte'), song for voice & piano (3 versions), D. 686 (Op. 20/2)
5. Gesang ('Was ist Sylvia,...'), song for voice & piano, ('An Sylvia'), D. 891 (Op. 106/4)
6. Die Allmacht ('Gross ist Jehovah'), song for voice & piano, D. 852 (Op. 79/2)
7. Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: St?ndchen D. 957/4 Serenata
8. Adelaide, song for voice & piano, Op. 46
9. Songs (5) for voice & piano, Op. 106: St?ndchen Op 106, No 01 Serenata
10. Eugene Onegin, opera, Op. 24: Lenski's Aira
11. Songs (7) for voice & piano, Op. 28, R63: The Forest Sleeps
12. I Dr?mmen di ?r Mig N?ra (You are near in my dreams), song for voice & piano
13. Suite for violin & piano, Op. 15: Maiden Under a Linden Tree
14. Lilacs, song for voice & piano, Op. 21/5: Lilacs Op 21 No.5
15. In the silence of the secret night, song for voice & piano, Op. 4/3: In the Silence of Night Op 04 No.3
16. Ein Traum (A Dream), song for voice & piano, Op. 48/6
17. Turandot, opera: Nessun dorma
18. Ideale for voice & piano (or orchestra)
19. Rigoletto, opera: La donna ? mobile
20. Tosca, opera: E lucevan le stelle
21. Zueignung ('Ja, du weisst es, teur Seele'), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1)

CD Details

All Artists: Jussi Bjorling
Title: At Carnegie Hall
Members Wishing: 0
Total Copies: 0
Label: RCA
Release Date: 4/5/1991
Genres: Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Chamber Music, Historical Periods, Classical (c.1770-1830), Early Music, Modern, 20th, & 21st Century, Instruments, Strings
Number of Discs: 1
SwapaCD Credits: 1
UPC: 090266052028

Synopsis

Amazon.com

The Sibelius Violin Concerto joins those of Beethoven and Brahms at the pinnacle of Romanticism's achievements in this form, and Jascha Heifetz is an ideal interpreter of its lyricism and sheer technical dazzle. The fireworks-filled Prokofiev and the gentler Glazunov fill out the bargain-priced disc agreeably. This is Prokofiev's Second Violin Concerto; Heifetz never recorded the equally brilliant No. 1, and (though adequately recorded by many violinists) it is slightly less familiar as a result. --Joe McLellan

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