Search - Juliana Hatfield :: In Exile Deo

Damn good

T. Lalley | washington, d.c. | 10/18/2004

(4 out of 5 stars)

"This is a very strong release. Musically, it's interesting and enjoyable as always but nothing terribly new compared to her previous stuff. But the lyrics are more bitingly honest than anything she's done before. It's the same tales of woe, laced with a bit of hope, but this time it really hits the mark.



I still like her old stuff but she's grown up and this release, more than any other, shows that. This constant change is interesting enough for her music to have held my attention for the past 15+ years. It's nice that this release doesn't break that trend."

Best CD Of 2004

Jim M. | Springfield MA | 02/02/2005

(5 out of 5 stars)

"Juliana Hatfield may be best known for "My Sister" in the mid 90's, but she has continued to put out album after album in the years since. And, she has yet to release a less than great one.



In Eile Deo is arguably her best since the 90's. Beautifully produced, her voice has never sounded better. The vocals on "Tomorrow Never Comes" and "Singing in the Shower" have to be heard they are just so beautiful. There honestly isn't a bad song on the album. The standouts are "It Should've Been You", "Sunshine" and "Some Rainy Sunday".



It is just an amazing album. The best CD of 2004.

"

So much to love....

Keith Kanen | The Edge of Nowhere | 06/01/2004

(5 out of 5 stars)

"As one who has always loved Juliana's music and knows all her albums well, one caveat before I add to In Exile Deo's well-deserved kudos. If you have heard little or none of her work, I would first recommend one or more of her earlier CD's for some perspective, all filled with wonderfully diverse alterna-pop-rock songs showcasing her somewhat quirky, engaging style, youthful intensity and angst. Excluding In Exile Deo for the moment, which I would put somewhere near the top, here's how I would rate her albums first to last, though these are close calls... Only Everything('95), Beautiful Creature/Total System Failure(simultaneous 2000 release), Become What You Are('93) and the 6 song EP Please Do Not Disturb('97) will all make you a fan for sure. Bed ('98), while IMO less memorable overall, does has a few superb cuts. I would also highly recommend 2001's God Bless The Blake Babies -- her warmly relaxed/cool renunion CD with her old bandmates. That said, there is so much to love about In Exile Deo! I don't see how an earlier reviewer could possibly diss the first two songs. The opening cut is a terrific kick-ass rocker where -- sick and tired of no (lasting) love & affection in her life -- she is determined to simply have fun playing with anyone who comes along that strikes her fancy. Coming from someone who has often lamented her shyness, it's fun to hear her loosen up and blow away that impression, though I don't think we have to worry too much about our socially shy heroine becoming a total hedonist. The song's title/main refrain is Get In Line (..I'm giving myself away. :-) ..it's hard, fast, propulsive and catchy with killer guitar work from Juliana!The next song offers up further proof she is the most underated guitarist on the planet. Jamie's in Town (about needing to avoid this guy at any cost) is also catchy, but quite different with a kind of eerie, swinging, loping bass line and acoustic rhythm guitar delightfully adorned with at least 3 different kinds of electric guitar which drop in 'n out like so much chocolate, honey and spice. Very Cool Song. I will make brief too much more I would like to mention. As with all her albums, a few muscially ordinary ditties here 'n there, but most are inspired, beautiful, cool creations, always with that wonderfully unique, emotionally honest voice. Heart always on her sleeve, especially in the lovely, tender, wistful ballads. And hints she is learning to let go of her pain and be happy more often in the breezy, infectious song Sunshine. :-)Catch her on tour now while you can... Check out this great SXSW Live Concert Review: "Juliana Hatfield's set was dominated by lots of impressive new material, most of which she said will appear on her forthcoming album In Exile Deo. Hatfield's guitar-playing prowess has to be seen to be appreciated. While no great technician, she's developed an unmistakable style that simultaneously draws on the throaty riffs of The Rolling Stones' Keith Richards, the rhythmic jangle of The Velvet Underground's Sterling Morrison and the controlled feedback/distortion of Sonic Youth's Thurston Moore. It's a tasty and effective combination. And Juliana's current backing band seems to be more in touch with her quirky style than any group she's been a member of since the Blake Babies.""