Search - John Zorn, Ennio Morricone, Anthony Coleman :: John Zorn: FilmWorks: 1986-1990

John Zorn, Ennio Morricone, Anthony Coleman
John Zorn: FilmWorks: 1986-1990
Genres: Jazz, Pop, Soundtracks

Track Listings (32) - Disc #1
1. Main Title - John Zorn, Zorn, John
2. Homecoming [From White and Lazy] - John Zorn, Zorn, John
3. The Heist [From White and Lazy] - John Zorn, Zorn, John
4. Meat Dream [From White and Lazy] - John Zorn, Zorn, John
5. Phone Call [From White and Lazy]
6. End Title [From White and Lazy]
7. The Fanfare
8. The Theme [From the Golden Boat]
9. The Jazz 1 [From the Golden Boat]
10. The Horror Organ [From the Golden Boat]
11. The Mexico [From the Golden Boat]
12. The Mood [From the Golden Boat]
13. The Rockabilly [From the Golden Boat]
14. The Slow [From the Golden Boat]
15. The Jazz Oboes [From the Golden Boat]
16. The The Golden Boat (Turntable Mix)
17. The End Titles [From the Golden Boat]
18. The Good, the Bad and the Ugly (Il Buono, Il Brutto, Il Cattivo), film scor
19. Main Title
20. Swirling Shot [From She Must Be Seeing Things]
21. Homecoming [From She Must Be Seeing Things]
22. Catalina Flash [From She Must Be Seeing Things]
23. Seduction [From She Must Be Seeing Things]
24. Sex Shop Boogaloo [From She Must Be Seeing Things]
25. Catalina Escapes [From She Must Be Seeing Things]
26. Worms [From She Must Be Seeing Things]
27. Death Waltz Fantasy [From She Must Be Seeing Things]
28. Following Sequence [From She Must Be Seeing Things]
29. Movie Set [From She Must Be Seeing Things]
30. Climax [From She Must Be Seeing Things]
31. Going to Dinner [From She Must Be Seeing Things]
32. End Titles [From She Must Be Seeing Things]

Displaying a rare discipline, Zorn eschews the jump-cut frenzy that typified The Big Gundown to showcase his cool mastery of conventional blues, rock, jazz, samba and most every pop flavor imaginable. --Jeff Bateman

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CD Details

All Artists: John Zorn, Ennio Morricone, Anthony Coleman, Wayne Horvitz, Arto Lindsay, David Shea, Shelley Hirsch
Title: John Zorn: FilmWorks: 1986-1990
Members Wishing: 2
Total Copies: 0
Label: Tzadik
Release Date: 8/19/1997
Album Type: Soundtrack
Genres: Jazz, Pop, Soundtracks
Style: Avant Garde & Free Jazz
Number of Discs: 1
SwapaCD Credits: 1
UPC: 702397731429

Synopsis

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CD Reviews

The best first buy

George Grella | Brooklyn | 05/12/2000

(5 out of 5 stars)

"Never heard Zorn before, never heard his film music, and curious? This is the one best CD to buy. The music is great and it displays his strengths as a musician. He has a great ear for styles and can produce music in all of them, yet it's more than just mimicry, it's well made music with a strong core and a fine expression. He's an excellent alto player with great hard-bop chops and a nice, biting sound that comes right out of Jackie McLean. He also assembles great ensembles of musicians who have their own distinctive voices that benefit all the work. The music ranges from jazz to rock and beyond, never missing a beat, absolutey assured in everyway, constantly inventive and just great to listen to."

Damn good.

Steve D | Connecticut | 08/29/2004

(5 out of 5 stars)

"This was my first Zorn album. It is amazing. So many styles throughout the album. It really shows his strength as a musician and the deversity of his works. It is a lot easier to get into than some of his other works and I would recommend it to someone interested in checking him out. You get a little bit of everything, metal, jazz, country,classical and world music. Wonderful cd."

Diverse, fleshed-out parts add up to another quintessential

IRate | 12/08/2007

(4 out of 5 stars)

"A strong, diverse first entry into his gigantic Film Works series finds the always-eclectic composer offering up an ultra diverse sampler from three of some of Zorn's earliest independent movie scorings. A few tracks are rough around the edges, but when that is not working in any piece's favor, the seemingly unlimited wealth of talented players always working with our warped maestro still usually demands attention. Even if we are listening to a tired blues theme or a standard jazz progression, the variations on these themes remain interesting for the most part still to this day. Hitting a masterful stride with the horn-heavy third act, Zorn proves once again why he is one of the most versatile, edgy, and equipped composers working today."