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Golden Striker / Jazz Abstractions
John Lewis
Golden Striker / Jazz Abstractions
Genres: Jazz, Pop
 
This 71-minute coupling of two early 1960s recordings by Modern Jazz Quartet pianist John Lewis is without doubt a musical feast. But, as with a gourmet banquet, one is advised to savor each course before moving on to the ...  more »

     
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CD Details

All Artists: John Lewis
Title: Golden Striker / Jazz Abstractions
Members Wishing: 0
Total Copies: 0
Label: Collectables
Release Date: 6/7/1999
Genres: Jazz, Pop
Styles: Cool Jazz, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 090431625224, 009043162522

Synopsis

Amazon.com
This 71-minute coupling of two early 1960s recordings by Modern Jazz Quartet pianist John Lewis is without doubt a musical feast. But, as with a gourmet banquet, one is advised to savor each course before moving on to the next serving, for there are some deliciously rich dishes on the menu. The opening program, Golden Striker, consists of 10 Lewis compositions, most inspired by the commedia dell'arte, a traditional form of improvised Italian comedy. Stately and cinematic in nature (indeed, the title track and "Odds Against Tomorrow" were both composed for films), these performances demonstrate Lewis's comfort outside the intimate chamber-jazz setting where the MJQ flourished and in an expansive orchestral milieu. The second half of the disc is more fascinating still. Largely created for a 1960 Jazz Profiles performance in New York, it consists of three compositions by Third Stream spearhead Gunther Schuller--"Abstractions," "Variants on a Theme of John Lewis (Django)," and "Variants on a Theme by Thelonious Monk (Criss-Cross)"--plus Jim Hall's "Piece for Guitar and Strings." With Hall, Ornette Coleman, and Eric Dolphy among the featured players, these pieces set then-nascent free-jazz intensity in a more formal setting. Dig in! --Steven Stolder
 

CD Reviews

Third Stream Music at its best
R. Parker | United States | 08/27/2003
(5 out of 5 stars)

"John Lewis' "Golden Striker" and Gunther Schuller's (the pianist endorsed the album, but has nothing to do with it) "Jazz Abstractions" are very fine recordings, featuring excellent scores, solos and some fantastic group interplay. The two programs are considerably different from one another, Lewis' being a bit more influenced by 18th and 19th century classical music, whereas Schuller's work seems more in line with 20th century classical music. They are both extremely successful in creating Third Stream pieces that are more than just "interesting". Gunther Schuller's "abstractions" features many great players such as Jim Hall, Eric Dolphy, Ornette Coleman, Bill Evans and Scott LaFaro. This CD has some of the best Third Stream music I've ever heard."
I know cuts 11-19 extremely well
Beth T | Easton, MD | 05/11/2004
(5 out of 5 stars)

"...I am buying this CD for cuts 11-19 which are from an original vinyl that I purchased in 1974 [Jazz Abstraction]which I loved immediately and still know by heart 30 years later. I am a fan of the Turtle Island String Quartet which composes jazz classics for string quartet, and supplements these pieces with DOWN improvisations. They are the closest thing I've heard live to this album, which is also music composed by Gunther Schuller in an extremely creative way. "Abstraction" is a wild string piece in the format: A-[solo]-retrograde A, throughout which Ornette Coleman does a tight, brilliant jam, with a solo in the middle. "Retrograde" means the same thing, only backwards. In some ways, it is screamingly funny. "Piece for Guitar and Strings" is wonderful, and so are the other variations with Eric Dolphy and the MJQ. Again I am not familiar with the first 10 cuts and from what I hear of the samples, I just might skip them. If you buy this CD for the same reason I'm buying it, I guarantee you won't be disappointed."