Search - Johann Sebastian Bach, Richard Egarr :: J.S. Bach: Well-Tempered Clavier Vol 1

J.S. Bach: Well-Tempered Clavier Vol 1
Johann Sebastian Bach, Richard Egarr
J.S. Bach: Well-Tempered Clavier Vol 1
Genre: Classical
 
  •  Track Listings (24) - Disc #1
  •  Track Listings (24) - Disc #2


     
   
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CD Details

All Artists: Johann Sebastian Bach, Richard Egarr
Title: J.S. Bach: Well-Tempered Clavier Vol 1
Members Wishing: 1
Total Copies: 1
Label: Harmonia Mundi Fr.
Original Release Date: 1/1/2007
Re-Release Date: 10/9/2007
Album Type: Import
Genre: Classical
Styles: Forms & Genres, Improvisation, Historical Periods, Classical (c.1770-1830)
Number of Discs: 2
SwapaCD Credits: 2
UPC: 093046743123
 

CD Reviews

Wonderful
Redmond Geek | 05/29/2008
(5 out of 5 stars)

"This is a lovely interpretation of the WTC, Book 1. Egarr takes his time and lets the music breathe; the fugues are clear and well-defined. His use of ornamentation is tasteful and period-appropriate. He really allows the music to speak. The harpsichord used for the recording has a beautiful sound.



All in all, a wonderful addition to anyone's Bach collection. I hope he has plans to release a recording of Book 2."
The Well-Tempered Listening Room
Roochak | 08/11/2009
(4 out of 5 stars)

"What a difference the size of a room can make when you listen to a harpsichord record. Egarr's instrument, a 1991 copy of a 1638 Ruckers, has a warm, rich, bell-like sound that came through vividly in the small room in which I played these discs for the second time. The previous day I'd put them on in a cavernous, high-ceilinged room that reduced the sound of the harpsichord to a sort of musical mumble; every piece began to sound the same.



So I'd learned something new to me; a listening space suitable for orchestral music -- or a stentorian Steinway -- may be all wrong for something as intimate as a harpsichord recital. Egarr's WTC (using a tuning system "deciphered" by Dr. Bradley Lehman in 2004) is a shifting landscape of moods and colors, and even the harpsichord's lack of dynamic contrasts takes nothing away from the dramatic pairings of these preludes and fugues, in which the former pose dark, doubting questions to which the latter reply with a combination of impulsive fantasy and intellectual rigor that leaves me breathless."