Search - J.B. Lenoir :: Mojo Boogie: An Essential Collection

Mojo Boogie: An Essential Collection
J.B. Lenoir
Mojo Boogie: An Essential Collection
Genres: Blues, Pop
 
  •  Track Listings (20) - Disc #1

Although faded into obscurity, J.B. Lenoir is a legend among hard-core blues fans, mostly for his wealth of protest numbers, such as "Eisenhower Blues" and "Vietnam Blues." But this collection ably focuses on the lighter, ...  more »

     
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CD Details

All Artists: J.B. Lenoir
Title: Mojo Boogie: An Essential Collection
Members Wishing: 2
Total Copies: 0
Label: Varese Sarabande
Release Date: 2/26/2002
Album Type: Original recording remastered
Genres: Blues, Pop
Styles: Chicago Blues, Electric Blues
Number of Discs: 1
SwapaCD Credits: 1
UPC: 030206118223

Synopsis

Amazon.com
Although faded into obscurity, J.B. Lenoir is a legend among hard-core blues fans, mostly for his wealth of protest numbers, such as "Eisenhower Blues" and "Vietnam Blues." But this collection ably focuses on the lighter, lesser-known side of the Chicago singer-guitarist's music: romping boogies and love songs that highlight the playful qualities of his high, almost feminine voice and even higher spirits. His early 1950s hits like "Let's Roll," "The Mojo" (later renamed "The Mojo Boogie" by Johnny Winter), and "I Feel So Good" are party classics. The first two are pure Lenoir--guitar bass notes churning out a boogie feel that underpins the arching phrases of his voice, which trembles with vibrato at its most fevered. "I Feel So Good" swings and jumps, thanks to its brisk tempo and the interplay between Lenoir's quick-chording guitar work and Jarrett Gibson's honking baritone sax. "I Sing Um the Way I Feel" does more than any of this disc's multiple takes of "The Mojo" and "Let's Roll" to prove Lenoir's versatility. He uses bongos to give the song an Afro-Cuban feel and alternates bursts of single-note melodies, bass figures, and choppy blues-jazz chords on guitar to play counterpoint to the beat and in response to his vocal lines. This collection is a reminder that Lenoir's musical and songwriting abilities were clearly topnotch, and he would have attained greater fame if he hadn't died, at age 38, after an auto accident in 1967. --Ted Drozdowski
 

CD Reviews

Check it out!
Tommy D | 06/21/2002
(4 out of 5 stars)

"50s blues was a great time for music. I have always enjoyed Lenoir's work along with people like Sonny Boy Williamson and Big Bill Broonzy. Listening to songs like "Let's Roll" and "The Mojo" in cd quality really bring out the best in my love for the artist. I dont see why anyone wouldn't at least like the music. The sad thing is taht J.B. died at the age of 38 in 1967 and I knew there would have been more hits. Check it out!"
J b Le noir /. Mojo Boogie
Mark Twang | 02/21/2008
(3 out of 5 stars)

"this recording was a real disappointment. Poor sound quality in the recording, with some pretty bland backup. I don't care if these guys are supposed to be the cream of Chicago for that era.....they just don't add much to the mix. If this was the only way to experience J. B., then I'd say go with it.....but just hearing him with his guitar like on the L+R recordings (Vietnam Blues) now that's the real deal! J. B. was so musical, if you need to add anything to his voice and guitar, it sure wasn't much."