Search - Magdalena Kozena, George Frideric Handel, Marc Minkowski :: Handel - Dixit Dominus · Salve Regina · Laudate pueri · Saeviat tellus / Massis · Kozená · Fulgoni · Henckens · McLean-Mair · Pujol · Les Musiciens du Louvre · Minkowski

Handel - Dixit Dominus · Salve Regina · Laudate pueri · Saeviat tellus / Massis · Kozená · Fulgoni · Henckens · McLean-Mair · Pujol · Les Musiciens du Louvre · Minkowski
Magdalena Kozena, George Frideric Handel, Marc Minkowski
Handel - Dixit Dominus · Salve Regina · Laudate pueri · Saeviat tellus / Massis · Kozená · Fulgoni · Henckens · McLean-Mair · Pujol · Les Musiciens du Louvre · Minkowski
Genres: Pop, Classical
 
  •  Track Listings (26) - Disc #1

We know Handel mostly for the operas (Ariodante, for example), biblical oratorios (Messiah), and instrumental works (Water Music) he wrote for London high society. Yet he was producing masterpieces such as these Latin sac...  more »

     
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We know Handel mostly for the operas (Ariodante, for example), biblical oratorios (Messiah), and instrumental works (Water Music) he wrote for London high society. Yet he was producing masterpieces such as these Latin sacred works composed in Rome when he was barely into his 20s. The big chorus-and-orchestra Dixit Dominus and the soprano showpieces Sæviat tellus, Laudate pueri, and Salve Regina have been recorded several times in recent years (including, most notably, Andrew Parrott's thrilling full-scale reconstruction of the lavish Vespers service for which Handel probably wrote these works), yet this lively performance by Marc Minkowski and les Musiciens du Louvre is as good as any of them. Since Handel wrote this music for virtuoso castratos, it's no surprise that the stars here are the (female) sopranos Annick Massis and Magdalena Kozená. Both have sweet, flexible voices with more body than, say, Emma Kirkby or Jill Feldman (two of Parrott's divas), yet without the wide vibrato and relentless legato that make so many singers unsuitable for period-instrument Handel. The performance isn't flawless: Massis does sometimes let her vibrato, however narrow, get in the way of long, sustained notes; the choir, surprisingly, lets vibrato get in its way overall, sounding better suited to Beethoven than Handel. Yet the energetic tempos and generally skillful execution make this a very worthwhile release. It competes against one of Parrott's finest recordings (two discs for a lower price than Minkowski's one), but if you don't want all that chant mixed in with your Handel or happen to dislike singers such as Kirkby and Feldman, then you won't find a better Dixit Dominus than this. In fact, real Handel fans should want both. --Matthew Westphal
 

CD Reviews

A Bargain
Lars Hinnum | 06/01/2000
(5 out of 5 stars)

"The french conductor and Handel-lover Marc Minkowski and his original instruments ensemble Musiciens du Louvre gives a flamboyant and delightful performance. Especially the beautiful Dixit Dominus HWV 232.The recording is so alive and spirited that this cd must be strongly recommended."
Vivid and enthralling
Mark Dirksen | Beverly Mass. United States | 12/29/2001
(5 out of 5 stars)

"Having just panned John Eliot Gardiner's recent recording of Dixit Dominus (Philips, Nov. 2001), I will only say here that this disc is eminently satisfactory for all the reasons cited in the other reviews. I'm especially taken with the solo work, and with Ms. Massis in particular - her account of Saeviat Tellus is a marvel. Minkowski gives the Dixit all of its startling, vivid color and the live performance seems to add to the lustre. Don't hesitate to invest in this recording - it will repay you with hours of listening pleasure. Stanley Sadie is right!"
A Mixed Bag - Some Good, Some Very Bad!
Romeo | nz | 04/03/2002
(3 out of 5 stars)

"Dixit, Laudate, Saeviat are some of Handel's most glorious music. Overall I would NOT recommend this disk highly, if at all. The soloists are all very nice, esp the sop Massis, but the orchestration and choir are not at all musical for the most part, with a wooden, almost military feel with little, if any, expression. This is not helped by the ridiculous tempi imposed by the conductor. Much of the music is FAR too fast, resulting in a rushed feel, with the soloists and other performers having to compensate - not a good sound! A real shame, because if the music weren't so rushed, it would be far more attractive. Having said that, the 'De Torrente' sop duet in Dixit is ravishing, and almost perfect in it's gentle, lilting pace - very odd to say the least given the furious pace of the initial Dixit chorus (FAR too fast!) Perhaps the lack of musicality evident in most of the disk is due to the excessive speed? For a better Laudate and Dixit on the one disk I'd go for Stephen Cleobury with the English Chamber Orch and Kings College Choir. Not perfect, but far more preferable to my ears!"