Search - Engine Down :: Demure

Demure
Engine Down
Demure
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (10) - Disc #1

After growing steadily behind two critically embraced and well-received albums, Engine Down present Demure, a full-length that will surprise their most ardent fans yet remain inviting and accessible to those unfamiliar wit...  more »

     
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CD Details

All Artists: Engine Down
Title: Demure
Members Wishing: 0
Total Copies: 0
Label: Lovitt Records
Original Release Date: 4/1/2002
Release Date: 4/1/2002
Genres: Alternative Rock, Pop, Rock
Style: Indie & Lo-Fi
Number of Discs: 1
SwapaCD Credits: 1
UPC: 711574452828

Synopsis

Album Description
After growing steadily behind two critically embraced and well-received albums, Engine Down present Demure, a full-length that will surprise their most ardent fans yet remain inviting and accessible to those unfamiliar with their efforts to date. Demure captures an intriguing level of introspection only subtly hinted at in previous work, and the underlying pattern throughout the album is efficiency. The group's approach towards their third full-length is that of repetitious, droning guitars complemented by simplistic syncopation. The soaring, reedy vocals of Keeley Davis stand monolithic and solitary, anchors for many songs on Demure. For Engine Down to wrench such complex passion out of a self-imposed limited sonic palette is truly an accomplishment. However, to dismiss Demure as a somber, sullen, or understated work would be an injustice. The group's most recent metamorphosis removes the volatile flare of earlier incarnations, and the energy once used to produce the bright flash of earlier albums now is harnessed for an urgency underlying each part of the album. This makes Demure more than a mere collection of ten songs. Engine Down smartly dares the listener to find the complexities mired within the full-length by defacing many of the expected guides of dynamic contrast or bombastic yells typically used to convey earnestness or passion. The beauty of this third full-length is its deceptive plainness, allowing for different interpretations upon the first or the tenth listen. Casual and knowledgeable listeners alike will find the steady rhythmic blink and contemplative drive alluring. Demure is a hypnotic, gorgeously crafted venture created by four individuals who realize that sometimes the best way to showcase talent is to subdue it.

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CD Reviews

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Scott Heisel | Cleveland, OH | 12/21/2002
(4 out of 5 stars)

"Engine Down are a sort of indie rock anomaly. The band started off sounding quite different than their current sound, rising out of the ashes of Virginia's highly underappreciated Sleepytime Trio. Their early style was one that passerby would consider "screamo" - that is, the band was screamy and emotional. The vocals were akin to Florida's I Hate Myself and Twelve Hour Turn, among others, but the music, while spazzy at times, definitely allowed listeners to catch a glimpse into the band's future. While most bands of this style seemed to more or less just tell their bassist and drummer to play as fast and chaotic as possible, Engine Down's rhythms pulsated with the flow of the song, never getting too ahead of itself. Frontman Keeley Davis even let his vocals come out normally on a few early songs, though on most songs he was relegated to screaming duty.So the band put out one 7" and their debut full length, "Under The Pretense of Present Tense," and life seemed good. They were getting a ton of buzz from the hipper-than-thou crew in everyone's scene, it seemed. But the band wasn't content with their sound. So the evolution began with their second LP, "To Bury Within The Sound." Their new sound was one more rhythmically dense, and Keeley finally dropped the screaming act altogether, as his voice soared over the beautifully layered instruments beneath him. For the second album in a row, though, the music suffered at the recording itself. The bass seemed completely lost on this album, and, while the vocals were cleaner than on the first album, they still needed work.So this brings us to "Demure," Engine Down's latest effort. Right from the start the album cures the recording problem - everything on here sounds crisp, clear, and as defined as ever. The music has become more subdued, but at the same time it has taken on a new life. At times the drums and bass sound almost tribal, and you can't help but get caught up in the pulsating rhythms of songs like "Pantomime" and "Second Of February." Davis' vocals have matured significantly, as evident on tracks like "Detour" and the pounding "Taken In." The penultimate track, "Closed Call," is a beautiful ballad featuring Keeley dueting with his sister Maura. The track could have been on Denali's CD, as it has a very similar sound [Denali is Keeley's side project, Maura is the singer].The press release for this says that "[T]he group's approach towards their third full-length is that of repetitious, droning guitars complemented by simplistic syncopation." As I first read that, it sounds almost like an insult to the music, but then I realize that the album *is* simple, so simple that you're deceived by it. You know that they're not playing anything hard on this album, and you know other post-hardcore bands who can keep up with this, but the more you listen, the more you're intrigued. The group takes the simplest sounds and turns them into 10 individual mini-opuses, each complete with ebbs and swells. This is talent at it's most basic and at it's most refined. This is the paradox that is Engine Down."