Search - Django Reinhardt :: Nuits De Saint - Germain Des Pres

Nuits De Saint - Germain Des Pres
Django Reinhardt
Nuits De Saint - Germain Des Pres
Genres: International Music, Jazz, Pop
 
  •  Track Listings (12) - Disc #1

Full title - Nuits De Saint-Germain Des-Pres. Part of the Jazz In Paris series from the French label Gitanes. Remastered. Digipak. 2002.

     
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CD Details

All Artists: Django Reinhardt
Title: Nuits De Saint - Germain Des Pres
Members Wishing: 0
Total Copies: 0
Label: Emarcy Import
Release Date: 4/25/2007
Album Type: Original recording remastered, Import
Genres: International Music, Jazz, Pop
Styles: Europe, Eastern Europe, Swing Jazz, European Jazz
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 044001842726, 0044001842726, 0602498420546, 060249842054, 766489484723

Synopsis

Album Description
Full title - Nuits De Saint-Germain Des-Pres. Part of the Jazz In Paris series from the French label Gitanes. Remastered. Digipak. 2002.
 

CD Reviews

Caution: this CD is highly addictive
The Delite Rancher | Phoenix, Arizona | 09/24/2006
(5 out of 5 stars)

""Nuits de Saint-Germain des-Prés" is one of the many treasures now available through Gitanes' Jazz in Paris series. Without hyperbole, this recording is absolutely phenomenal. Django is in top form. His acoustic and electric solos blaze. Yes -Django plays electric guitar on this! At times, he really rips it up. While much has been written about Reinhardt's improvisational abilities, this recording also showcases his talent as a composer, bandleader and arranger. This brief CD is composed of three Decca sessions from 1951 to 1953 - the final year of his life. This time period is especially interesting. When most listen to Django, it tends to be his earlier work from the 1930's featuring Stéphane Grappelli in the Quintette du Hot Club de France. This is almost twenty years later. What is immediately striking is that the music doesn't sound like old time gypsy jazz. This is straight ahead modern jazz. While the music is astonishing, there are two drawbacks. If the listener is bothered by hiss, the treble may need to be turned down. Second, at less than thirty-seven minutes, the length is too brief. Why not combine this with another of Reinhardt's five releases in the Jazz in Paris series? Regardless of the drawbacks, this is essential for both Django enthusiasts and the uninitiated. "Nuits de Saint-Germain des-Prés" will amaze the listener and redefine how we think about Django Reinhardt's later body of work."