Search - Cure :: Bloodflowers

Bloodflowers
Cure
Bloodflowers
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (9) - Disc #1

Aussie reissue of 2000 album includes one bonus track 'Coming Up'. Polydor. 2004.

     
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CD Details

All Artists: Cure
Title: Bloodflowers
Members Wishing: 0
Total Copies: 0
Label: Polygram UK
Release Date: 2/21/2000
Album Type: Import, Original recording remastered
Genres: Alternative Rock, Pop, Rock
Styles: Hardcore & Punk, Goth & Industrial, New Wave & Post-Punk
Number of Discs: 1
SwapaCD Credits: 1
UPC: 731454312325

Synopsis

Album Description
Aussie reissue of 2000 album includes one bonus track 'Coming Up'. Polydor. 2004.

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CD Reviews

The Cure Leaves Pop Sound to Return to its Roots
01/16/2000
(5 out of 5 stars)

"An album of great depth and commendable sound, Bloodflowers swirls with mid-to-slow songs (completely lacking the fast, obvious singles that Wish gave us) and is a return to the Cure's dark side. The album is cut from the same mold as Disintegration and Faith, though it is not a re-make by any means, and bears a hint of the mood of Seventeen Seconds. For WMS fans, think Treasure, Want, Numb, and Bare mixed-up with a splash of Jupiter Crash for lyric-mood, though Bloodflowers as a whole is not as diverse in mood, sound, or style as WMS was. "There is no if" is probably the album's most beautiful love song, while "39" and others express Robert's ever-present phobia of losing his touch. If you are looking for cheerful pop songs, try Japanese Whispers or The Head on the Door instead; this recording is for those who find beauty in the bleak, depth in philosophical ponderings, and appreciation in honestly-expressed emotion. As always, Robert's lyrics are among the best in the business, and the more one listens to Bloodflowers, the more one will appreciate its brilliance."
Gorgeously grey
02/15/2000
(4 out of 5 stars)

"sometimes i think to myself, "shouldn't i have outgrown the cure?" being in high school in the mid-80's, the cure and the smiths and depeche mode were everything. it was all so cool. but gosh i'm almost 30 now - you'd think the cure would be faded adolescent memories. well, with a great set of tunes like bloodflowers, i realize i could never tire of the poetry of robert smith. i've read a few reviews which tag this album as "the logical follow up to disentegration" - and i agree...it is. the mood, the dense atmosphere, is very disentegration. the two main differences that help the albums compliment each other rather than making the new one sound like rehash is that this album is even less pop - there's no "love song" (i remember feeling back then that robert had really sold out with that tune), no "pictures of you", or "lullaby". and that's not a bad thing - my favorite cure had absolutely no radio potential. the other noticable difference is that bloodflowers is very concise...very direct. disentegration was much more meandering and sometimes overly poetic. the four stars - because there will never be another faith or pornography (actually my favorite cure is from the out of print "cure in orange" concert movie). this is definitely their best music since 1989 but nothing compared to the old classic stuff."
A solid return to form
Michael H. | 02/16/2000
(4 out of 5 stars)

"While many reviewers have compared this album to the Cure's classic '89 album "Disintegration" (which is, to my mind, the Cure's seminal work), I have a hard time understanding such comparisons. "Bloodflowers" is indeed a dark album -- but so is the majority of the Cure's work, save the awful "Wild Mood Swings" and some cuts from "Wish." The Cure's latest features most prominently layers and layers of harsh, ugly and highly intense guitar riffs. Sure, the classic cure melodic style is mixed in, but at least half of the songs on this disc are brutal, cutting tunes. (Watching me Fall; 39; Bloodflowers; Maybe Someday -- though this one mixes in a certain pop element as well). These tracks, to my mind, are quite reminiscent of the louder tracks from "Wish." They are also, save track 4, *very* effective. The remainder of the songs feature a blend of softer percussion with Robert's now-classic simple, emotional guitar melodies. Each one is really quite beautiful, with somber lyrics that have really touched me (particularly "The Loudest Sound" and "There is no if..") There is not a weak song on this album, save perhaps "Maybe Someday." The other eight are thickly layered, raw, and highly emotional. Personally, I would have liked to hear more keyboards on this disc; as it is, they are merely a background element (another factor distinguishing this album from "Disintegration," where lush keyboards abound). Ultimatley, a powerful return to form, with a raw edge that really gets beneath the skin."