Search - Chatham County Line :: IV

Confident new traditionalists following their own muse

J. Ross | Roseburg, OR USA | 05/09/2008

(4 out of 5 stars)

"Playing Time - 46:12 -- With three other albums under their belts since 2003, Chatham County Line calls "IV" a "coming out party" because they no longer feel constrained to a certain niche by bluegrass instrumentation. They are a young, enthusiastic band that has grown and progressed into a signature acoustic groove. On their first few albums, these North Carolinians grabbed attention with a refreshing bluegrass-tinged sound anchored around guitarist Dave Wilson's emotive lead vocals and prolific songwriting. Strong and energetic contemporary folk-inspired material have always permeated their projects. "IV" takes them even further on an intriguing journey into Americana territory, and it's a solid statement for a young quartet that's also been fortunate to maintain its same four personnel for years. Besides Wilson, CCL continues to also feature John Teer (fiddle, mandolin, viola), Chandler Holt (banjo, guitar), and Greg Readling (bass, pedal steel, piano).



"IV" takes the band beyond a mere modernistic interpretation of bluegrass. The opener, "Chip of a Star" is clearly arranged as radio-friendly commercial fare with its repetitive banjo riff. Songs like "County Boy/City Boy" illustrate the dichotomy of the band's contemporary folk-rock urban approach overlaid with some bluegrass sensibilities. When I first heard "Let It Rock" and "I Got Worry," it even crossed my mind that these boys might be enticed into a full plunge into electric music with a drummer. Perhaps a plugged-in CCL album will be their next stop on their evolving path. In the meantime, balladry is still a large part of their bag with numbers like "The Carolinian," "Sweet Eviction," "One More Minute," and "Birmingham Jail." One of the three numbers penned by Holt, "Clear Blue Sky" is an instrumental showcase for the band's clarion bluegrass chops. And then there's Teer's "Paige," a classically inspired mandolin tune that emphasizes timing, tone and technique. I respect all confident new traditionalists who follow their own muse. I know CCL's vibrant and unrestrained genre-bending sound will continue building them a legion of fans. (Joe Ross, staff writer, Bluegrass Now, 29 Palms, CA)

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Highly Recommended

J. D. JANSEN | St. Louis, MO | 03/31/2008

(5 out of 5 stars)

"Chatham County Line takes a contemporary approach to bluegrass music, and make the music fresh as anything available today. Their latest collection contains a complete package of strong songwriting, instrumentation, and vocal harmonies. Sometimes less really can be more. The album starts off strong with the very catchy "Chip Of A Star", followed by the more traditional "The Carolina", upbeat "Let It Rock", and the pretty love ballad "One More Minute". "Birmingham Jail" is a bit odd. The song itself is wonderful, but they couldn't find a more recent subject for a topical song? The rest of the album continues the pattern with a couple of instrumentals (Clear Blue Sky/Paige) thrown in to show off their skills. Highly recommended for fans of alt-country/Americana."

Great bluegrass-indie crossover set

Joe Sixpack -- Slipcue.com | ...in Middle America | 03/17/2008

(5 out of 5 stars)

"North Carolina's up-and-coming Chatham County Line is a remarkably innovative band, moving from strength to strength until they arrive someplace entirely new. So here we are, on their fourth album, "IV," which is an alluring bluegrass-newgrass album that crosses over in ways that seem fresh and entirely new... Several songs have pop-tinged arrangements that are surprisingly unique, with sound combinations that I simply haven't heard yet from the decades-old "progressive bluegrass" scene... The results are exhilarating and enchanting. "Chip Of A Star," "The Carolina," "One More Minute..." The album unfolds with one memorable song after another, an admirably diverse and adventurous set. Striking a fine balance between tradition and innovation, CCL have an affinity for the indie-rock camp, but whereas a banjo lick or pedal steel dropped into a rock record has become commonplace, a truegrass band that has a truly alt-y sensibility is a more precious thing altogether. These folks elegantly straddle the line, and while I'll be enjoying this album for quite a while, I'm also looking forward to what comes next. Definitely worth checking out! (DJ Joe Sixpack, Slipcue music reviews)"